Word: brubeck
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There is also resentment of the easy acceptance of such white jazzmen as Brubeck, Kenton, Mulligan and Shearing. In fact, notes Dizzy Gillespic, "colored musicians are simply resentful of the fact that in every sphere of American life the white guy has it better." The resentment is too often expressed in the refusal of Negro groups to hire white musicians. It has presented the jazz world with a critical problem in an already critical time-the number of jazz performers is increasing more rapidly than the number of jobs available...
...began when Thelonious Monk decided: "We're going to create something they can't steal, because they can't play it." But the real problems of Crow Jim emerged in the '505 with the big-money success of West Coast jazz under the leadership of Brubeck, Mulligan, Shorty Rogers and Shelly Manne-all of them white. The new jazz put more emphasis on sophisticated arrangement and composition, avoiding the traditional African-born aspects of hard swing...
...attract the collegians for the 1962 holidays. Daytona City Commissioner Stanley Nass got civic groups to agree to "welcome the youngsters, leave them alone and let them entertain themselves with the facilities we have." The city appropriated an extra $12,000 for its recreation fund. Nass hired Jazzman Dave Brubeck for a show, got together a music-making group called the Folksters, gave them a truck and made them a "flying squad." Last week, whenever Nass got a report that the boys and girls were getting out of hand, he put the Folksters onto the truck-bed and sent them...
...Brubeck and his quartet still play much of the same intense, quiet, often dissonant music that brought them mid-'50s fame. Brubeck's Time Out has sold a phenomenal 200,000 copies in the several months it has been out, and his first single-Take Five, by Saxophonist Paul Desmond-had the rare distinction among jazz records of remaining on the pop charts for three months. In Britain, where he drew record crowds and collected $100,000 at the box office, Brubeck was mobbed by squealing teenagers. But the Sunday Times's Iain Lang has summed...
...trouble with Brubeck, according to the Daily Mail's Kenneth Allsop, is that his music has no connection with "the real raw emotions of jazz." Since the insistently cool Modern Jazz Quartet, a favorite of critics on both sides of the Atlantic, is frequently praised for its lack of raw emotion, chances are that Brubeck's real sin is his popular success. One of the more adroit English critics, Benny Green of the London Observer, even managed to praise and condemn the same tour. In the program notes, which he wrote, Green found Brubeck's appeal...