Word: brubecks
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Dates: during 1950-1959
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Besides these three stories the rest of the issue doesn't seem to matter so much. I think the best thing to say about Jonathan Kozol's little piece of satanism is that he has given his people wonderful names: Brubeck, Euclid, Castrato. The poetry in the issue is almost uniformly hard to remember. In the best of the lot, Epitaph for a Young Athlete, F. L. Seidel clothes his single small joke in pretentious language. While the only image of David Ferry's The Late Hour Poem is more ludicrous than striking, Nina Castelli's The Coquette concludes, with...
Most inappropriately for this weekend, Boston Jazz has nearly forgotten the Tiger Rag. It has passed beyond the traditional stage of Benny Goodman and Arty Shaw, discarded Old Dixie, and is approaching the cooler, intellectual cock-tail jazz of Dave Brubeck and Lee Konitz. The Princeton cats may be disappointed...
...diverse club is plush Storyville, which frequently features such performers as Dave Brubeck and "Wild Bill" Davison (appearing next week). Its range of transient musicians (which has also included ballad-singer Josh White) and the club's usual minimum puts Storyville in its own special class, although its present show is very similar musically to Boston's new rhythm form...
Even peace was wonderful for Stardust. In 1949 readers of Metronome, venerable U.S. music magazine, voted it "best song of all time." Last year Stardust's kiss was still an inspiration, or at least a consolation: one of the most intricate of modern jazzmen, Pianist Dave Brubeck, played a tune at Manhattan's Basin Street that only two members of the audience recognized as Stardust, while in the dance hall around the corner, the ten-millionth blonde said. "Oooooh, listen, honey. They're playing our song...
...Trolley Song (Dave Brubeck Quartet; Fantasy 45 r.p.m. single). One of Pianist Brubeck's and Alto Saxman Paul Desmond's most popular numbers, unmasked. One side of the disk has the finished product; the other shows how it was put together in rehearsal. "Hard to keep up," murmurs Dave as he fingers a tricky accompaniment figure. "Listen,'' he warns his combo. "If I'm going to play this, boy, I want you guys in on the beats you're playing as hard as you can play . . . umpeta-pah, umpeta-pah . . ." The bass man thumps...