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Jazz Groups: Dave Brubeck Quartet...

Author: /time Magazine | Title: Music: Culture for Export | 3/17/1958 | See Source »

Jazzmen scorn most classically trained sax players, but frequently dig Mule. Says the Dave Brubeck Quartet's Paul Desmond, a brilliant alto-sax artist: ''He has the quality of purity. He's made the sax sound good, which no other legit sax player has done." In the 19203, onetime Schoolteacher Mule served in the Garde Républicaine. which has France's finest military band. He studied the few orchestral works for saxophone then at hand, including Richard Strauss's Domestic Symphony, Bizet's L'Arlésienne. After a brief flirtation...

Author: /time Magazine | Title: Music: Serious Sax | 2/10/1958 | See Source »

...beard-and-sandal set. The poetry was usually poor and the jazz was worse, but nobody seemed to care. Record business was being done by dim little jazz spots such as the Sail'N and the Black Hawk-the Taj Mahal of West Coast jazz, where Dave Brubeck blew himself to fame. And at the Tin Angel, on the waterfront, Trumpeter Dick Mills and his combo were playing with the man who started the poetry-and-jazz trend, Poet Kenneth Rexroth. decked out in red shirt, olive green corduroy suit and black string tie. "Lord! Lord! Lord!" cried Rexroth...

Author: /time Magazine | Title: Music: The Cool, Cool Bards | 12/2/1957 | See Source »

...together, really, still, now, always, rotating, revolving, dancing, now, always"). The jazz accompaniments are both premeditated and improvised, but all of them are far too sketchy to stand by themselves. If the poets are sold on J. & P., most of the jazzmen are cooling on it. An exception: Dave Brubeck, who is reminded by the union of jazzmen and poets of "the Bards and Meistersingers...

Author: /time Magazine | Title: Music: The Cool, Cool Bards | 12/2/1957 | See Source »

Everybody was there-Roy Eldridge and Gerry Mulligan, Count Basie and Dave Brubeck, Erroll Garner and Ella Fitzgerald and a gaggle of other big-name jazz artists-as the fourth Newport (R.I.) Jazz Festival opened last week with the authority of an established institution. On opening night, there was a moist-eyed party in honor of Trumpeter Louis Armstrong's 57th birthday, which Louis ended on a sour note by blasting out The Star-Spangled Banner and stomping off stage when he found he could play only 13 numbers. Eartha Kitt undulated her way through a 15-minute dance...

Author: /time Magazine | Title: Music: Trumpets Are for Extroverts | 7/15/1957 | See Source »

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