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Word: brubecks (lookup in dictionary) (lookup stats)
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...halls. They listened last summer in Los Angeles' Zardi's, last month in Boston's Storyville and Manhattan's Basin Street, and a fortnight ago they listened and cheered him in Carnegie Hall. Last week they listened in Chicago, Milwaukee and St. Louis as the Brubeck Quartet swung through the Midwest (as part of a jazz-concert package). Not everybody likes Brubeck's intense, quiet music; a lot of Bourbon drinkers still prefer the wilder, louder jazz that thrives on full bottles. But in a matter of five years, Brubeck fans have grown from...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

...Guild) have turned out money-making jazz albums. At Victor, which has just hired its first full-time jazz executive, a jazz-type record called Inside Souter-Finegan for six months outsold everything in the imposing Red Seal catalogue except Mario Lanza's Student Prince. Last June Dave Brubeck made his first Columbia record, Jazz Goes to College, and did even better: for four months it outsold any single album by another kind of pianist named Liberace...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

...Jazz Age of the '20s, social critics heard the trumps of doom amid the saxophones, and Poet Hart Crane was tortured by "the phonographs of hades in the brain." The phonographs of 1954 sound far less like hades. Jazz as played by Brubeck and other modernists (Gerry Mulligan, Chet Baker, Stan Getz, Shorty Rogers) is neither chaotic nor abandoned. It evokes neither swinging hips nor hip flasks. It goes to the head and the heart more than to the feet. Spokesmen for various jazz cliques have claimed that it doesn't swing (or swings like crazy), is cool...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

...Dave Brubeck thinks that it reflects the American scene, and that may be true. It is tremendously complex, but free. It flows along, improvising constantly, and yet it is held together by a firm pattern. It sometimes recalls a machine that always sounds as if it were going to fly apart, but it never quite does. As always in jazz, its essence is the tension between improvisation and order-between freedom and discipline...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

...this is apparent when Dave Brubeck and his men play...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

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