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Word: bruche (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...following program will be given at the Zionists Night concert at the Pops this evening at 8.15 o'clock: Coronation March from "The Prophet" Meyerbeer Suite from "Carmen" Bizet Polovisian Dances from "Prince Igor" Borodin Invitation to the Dance Weber Beriloz "Kol Nidrel" Bruch "Italin," Rhapsody Casella Overture to "Sakuntala" Goldmark Kammenoi Ostrow Ouverture Solennelle, "1812" Tehaikovsky

Author: NO WRITER ATTRIBUTED | Title: At the Pops Tonight | 5/29/1928 | See Source »

...following program will be presented at the Pops concert in Symphony Hall tonight at 8.15 o'clock: Coronation March from "The Prophet" Meyerbeer Kol Nidert Bruch Violoncello Solo: Jacobus Langendoen Overture to "Baruffe Chiozotte" Sinigaglia Overture. "Fingal's Cave" Mendelssohn "Danse Macabre." Symphonte Poem Saint Saens "Italian." Rhapsody Casella Bacchanale. "Tannhauser" Wagner Second Hungarian Rhapsody List

Author: NO WRITER ATTRIBUTED | Title: At the Pops Tonight | 5/22/1928 | See Source »

Divorced. Winifred Sackville Stoner de Bruché Hyman, 24, one-time child prodigy; from Louis Hyman; in Manhattan. It was recently reported she was to marry onetime (1920-21) U. S. Secretary of State Bainbridge Colby, 58, now suing for divorce in Paris (TIME...

Author: /time Magazine | Title: Milestones: Aug. 1, 1927 | 8/1/1927 | See Source »

...program follows: Sonata. Eminor Sarabane et Rondeau Francois Francoeur 1st Sonata Adagio and Fuga Bach Romance, op. 40 Beethoven Andante Cantabile, op. 24 Sgambati Alla Polacca, op. 104 Ph. Scharwenka Notturno, op. 12 Joseph Joachim Burlesque, op. 5 Tirindelli Romanze, op. 42 Max Bruch Hungarian Melodies, op. 22 H. W. Erust

Author: NO WRITER ATTRIBUTED | Title: Cardona to Give Concert Next Friday | 10/14/1925 | See Source »

...Kochanski was enthusiastically received. His tone, while light, was charmingly lyric, and the rapid and laborious succession of double-stopped chords showed what a fine master of technique he is. Why he should have chosen the Bruch Fantasy to play, we cannot imagine. It is far too long, and the accompaniment is so heavy that it completely drowns out the violin on many occasions. There is little evidence of any Scottish characteristics except when the folk tunes themselves appear. At times we are reminded of an inferir "Rheingold". The work, however, has always been a favorite with violinists...

Author: By A. L. S., | Title: FOURTH SYMPHONY CONCERT AT SANDERS | 1/14/1922 | See Source »

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