Word: brugnoni
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Dates: during 1950-1959
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...other actors too are admirable, particularly Peter Hugens as the First Messenger, Marc Brugnoni as a Herdsman, and Thomas Teal as the leader of the chorus. D.J. Sullivan also deserves special mention for his more than creditable performance as Creon, a role which he took over at practically the last moment...
...shapeless play, made up of two parts. The first, little more than a series of character sketches, is laid in the home of one Dangle, portrayed ably but with a faintly incongruous accent by James Matisoff. Here, in addition to Puff, another aspiring author named Fret, played by Marc Brugnoni, and a gentleman-about-town called Sneer, portrayed by Robert Jordan, needle each other with polished skill. But Thomas Teal, as a horse-faced and impassive servant, all but steals the scene as the helps his master ceremoniously slip on a corset...
...emotions from the foolishness of her clown-friends, and in not displaying much sympathy she does this only to a limited extent. The Scarecrow, Tin Woodman, and Lion, as played by John Bernard, Fred Morehouse, and John Fenn, have a lot more fun and are very successful. Marc Brugnoni's excellent Wizard has a winsomeness and honesty which is very appealing. He, Fenn, and Anne Adams, in the dubious role of the Good Witch, turn in the happiest performances in pleasant, sprightly show...
...Madame Cat, work together hand in glove. Their nonchalance and dastard evil, dispelled at the end when they too become human, are lustily executed. J.D. Shucter as Gepetto the puppetmaker, peers with great authority through horn rims, though his early slapstick might appear a trifle strained. Marc Brugnoni's Sandwich Man is marvelously rakish and sly, but no one ever gets really scared, for his unctuousness naturally makes him more humorous than frightening. Blue Fairy's role is difficult in the presence of such raucous other characters. Louise Greep in the part is lovely, but suffers perhaps, from some self...
Their support, while not outstanding, was certainly adequate. Jay Schuchter and Mare Brugnoni, as Banquo and Macduff, are reliable in every instance, and Edgar Walsh handles the role of young Malcolm with remarkable sympathy. Harry Bingham provides a moment of good Shakespearean humor as the porter...