Word: bruhn
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...many more Tours are in your future? Matt Bruhn, INDIANAPOLIS...
...uses Britain?s Pilgrims Group, as well as Bruhn NewTech, which teaches its students how to recognize and protect themselves in chemical and biological attacks. Ian Day, the firm?s training manager, says 27 BBC journalists attended his two-day course in London in the first week of October alone, while another 17 took a course at the BBC offices in Jerusalem. Reuters has sent 368 journalists to Centurion?s five-day course, which incorporates two hours of chemical warfare training. Paul Rees, director of Centurion, says clients pay around $1,900 each for the residential course. Says Reuters video...
...international roster included Natalia Makarova, Suzanne Farrell, Gelsey Kirkland, Cynthia Gregory and Carla Fracci. In those days there were also thrilling partnerships that sold out houses worldwide. In Britain the great linkage of Fonteyn and Nureyev was followed by the pairing of Antoinette Sibley and Anthony Dowell. Erik Bruhn and Fracci raced about the world bolstering the box office at various companies. Baryshnikov was the pivot in two blazing partnerships: one with Makarova that reached back to the pair's Russian roots, and an American one with Kirkland...
...company also has a fine new staging of Bournonville's La Sylphide by Erik Bruhn, who once danced the role of James eloquently and who is now artistic director of the National Ballet of Canada. As James, Bujones uses his particular aggressive variation on the Bournonville style effectively, and he is nicely complemented by Marianna Tcherkassky's sweet, limpid, almost blurred Sylph. The gorgeous sets by Desmond Heeley are drenchingly romantic, but Bruhn (wisely keeps sentiment in check onstage. A revival of Jerome Robbins' fierce, street-hip New York Export: Op. Jazz has corps kids...
...Hamlet rather than a brooding one, all quicksilver passion. Kirkland's Ophelia was an innocent, ethereal waif - bruised and bewildered. In a pas de deux with Baryshnikov, their bodies seemed perfectly attuned, suggesting that incandescent union of talents and temperaments they have displayed as partners in better works. Bruhn's Claudius was a cold, imperious, lecherous king. It is to Neumeier's credit that his choreography asks Bruhn to do more demanding dancing than anything he has attempted since coming out of retirement last year. As for Haydee - perhaps ballet's reigning actress-dancer - her Gertrude...