Word: bruhn
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Dates: during 1960-1969
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...ballet supermarket," and balletomanes dashed eagerly from aisle to aisle to sample the best offerings. At the New York State Theater, the American Ballet Theater opened a month-long stand featuring the man whom Nureyev considers the finest male dancer in the world: Denmark's Erik Bruhn. Meanwhile, a few grand jetés across the Lincoln Center plaza, London's Royal Ballet twirled past the midpoint of its six-week season at the Metropolitan Opera, featuring Margot Fonteyn and the male dancer whom Nureyev considers second only to Bruhn: Nureyev...
Comparisons were irresistible, but as the week's performances emphasized, Bruhn and Nureyev are not really comparable. Bruhn, a mature 38, has polished his classical style to a peak of powerful precision and expressive economy. In the U.S. premiere of his pas de deux for Romeo and Juliet, he evoked muted strains of Romeo's tragic ardor, but the focus was less on his characterization than on the discipline of his whippet leaps and turns and the flawless flow of his carries with Italy's graceful Carla Fracci. Marveled Nureyev: "His technique is too good...
...veteran is the greatest Dane of them all, Erik Bruhn, who at 37 is the supreme danseur noble. The finest technician on two feet, his endless pursuit of classic perfection forgoes the kind of passionate abandon that marks the style of Rudolf Nureyev, the only other dancer in his class. Says one ballerina: "Nureyev is like Callas singing Bellini; Bruhn is like Schwarzkopf singing Mozart." But Bruhn has learned something about characterization from his friend Nureyev. As Don Jose in Roland Petit's version of Carmen, Bruhn was a man possessed, a smoldering Valentino driven by lust and racked...
...creature of the night, he spends most afternoons lolling about his four-room furnished flat in London, playing records, sipping Scotch, chattering on the telephone, often with his good friend Erik Bruhn, who, he says, is "the only dancer who has anything to show me that I don't already know." He uses the phone like a postcard, calling dancer friends around the world, chitchatting in fluent, slightly accented English. When visitors arrive, he will emerge wearing high, tan moccasins, skintight, sky-blue pants and flowing fuchsia shirt. Scattered about the living room are effects that mark the mystery...
...most promising soloist; Alley's Ariadne, highlighted by a fearsome battle between Theseus and a horde of minotaurs. Tradition was provided by Prima Ballerina Marjorie Tallchief (Skibine's wife and sister of the New York City Ballet's Maria Tallchief) and the famed Danish dancer Erik Bruhn as guest artist...