Word: bruhn
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...proving himself not only a wonderful classical dancer but also a superb actor. Ophelia was his frequent partner, the elfin Gelsey Kirkland. Gertrude was danced by Marcia Haydee, prima ballerina of the Stuttgart Ballet, who is appearing for the first time with A.B.T. this season. Denmark's Erik Bruhn, in his prime a great danseur noble, was Claudius...
...most of the ballet enthusiasts who saw its New York première, the American Ballet Theater's sumptuous new production of Raymonda provided a night to remember. For one thing, the visually dazzling revival marked the return of Denmark's Erik Bruhn, 46, from his retirement three years ago; at the peak of his career, he was widely regarded as the world's reigning danseur noble. For another, Bruhn was appearing for the first time in the U.S. with his friend and rival Rudolf Nureyev, who has created a production that should enhance his reputation...
...deux, pas de trois, pas de quatres, stylistic evocations of folk dance and rousing ensemble displays that it is rather like a 19-course meal devised by an overeager master chef. There are almost too many delights to absorb. One of them, certainly, is a revitalized Erik Bruhn, who brings to the secondary role of the Saracen his magisterial elegance of line, as well as a Tartar-like ferocity surprising in a dancer noted for ethereal courtliness. Hampered by an ankle injury, Nureyev as Jean de Brienne performed his four demanding solo variations with visible strain; the unmistakable...
There have been a handful of such dancers in this century. In his brief time (1908-17), Vaslav Nijinsky's wild genius established itself as the mythic standard against which all premiers danseurs will apparently always be judged. In the '50s and early '60s, Erik Bruhn, 46, now resident producer of the National Ballet of Canada, dominated ballet with sheer elegance. His style was pure and restrained, his partnering impeccable. If anything his reputation has increased since his retirement. He has an enormous following and will dance again this summer at A.B.T. When Rudolf Nureyev burst upon...
...arduous assignment of dancing all four heroines (La Stella, Olympia, Antonia, Giulietta) went to Cynthia Gregory, 27. Although Gregory emerged only last year as a star of the company, she has already been hailed by Dancer-Choreographer Erik Bruhn as "the greatest American ballerina since Maria Tallchief ." Dancer Gregory brought to Hoffmann an enchanting grace and elan worthy of a Giselle, testifying to her thoroughgoing professionalism. Swedish Dancer Jonas Kage, 22, struggled noticeably as the hero, merely indicating that he was not the only one incapable of getting Hoffmann off the ground...