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...ballet supermarket," and balletomanes dashed eagerly from aisle to aisle to sample the best offerings. At the New York State Theater, the American Ballet Theater opened a month-long stand featuring the man whom Nureyev considers the finest male dancer in the world: Denmark's Erik Bruhn. Meanwhile, a few grand jetés across the Lincoln Center plaza, London's Royal Ballet twirled past the midpoint of its six-week season at the Metropolitan Opera, featuring Margot Fonteyn and the male dancer whom Nureyev considers second only to Bruhn: Nureyev...

Author: /time Magazine | Title: Ballet: Delightful Dilemmas | 5/19/1967 | See Source »

...veteran is the greatest Dane of them all, Erik Bruhn, who at 37 is the supreme danseur noble. The finest technician on two feet, his endless pursuit of classic perfection forgoes the kind of passionate abandon that marks the style of Rudolf Nureyev, the only other dancer in his class. Says one ballerina: "Nureyev is like Callas singing Bellini; Bruhn is like Schwarzkopf singing Mozart." But Bruhn has learned something about characterization from his friend Nureyev. As Don Jose in Roland Petit's version of Carmen, Bruhn was a man possessed, a smoldering Valentino driven by lust and racked...

Author: /time Magazine | Title: Dance: The High & the Mighty | 12/10/1965 | See Source »

...creature of the night, he spends most afternoons lolling about his four-room furnished flat in London, playing records, sipping Scotch, chattering on the telephone, often with his good friend Erik Bruhn, who, he says, is "the only dancer who has anything to show me that I don't already know." He uses the phone like a postcard, calling dancer friends around the world, chitchatting in fluent, slightly accented English. When visitors arrive, he will emerge wearing high, tan moccasins, skintight, sky-blue pants and flowing fuchsia shirt. Scattered about the living room are effects that mark the mystery...

Author: /time Magazine | Title: Dance: Man in Motion | 4/16/1965 | See Source »

...most promising soloist; Alley's Ariadne, highlighted by a fearsome battle between Theseus and a horde of minotaurs. Tradition was provided by Prima Ballerina Marjorie Tallchief (Skibine's wife and sister of the New York City Ballet's Maria Tallchief) and the famed Danish dancer Erik Bruhn as guest artist...

Author: /time Magazine | Title: Dance: Angel in Tights | 4/2/1965 | See Source »

Villella was a boxer and baseball player at the New York State Maritime College before he made dancing his career, and his presence on a ballet stage is deeply reassuring. With Villella and Principal Dancers Jacques d'Amboise, Erik Bruhn and Conrad Ludlow, Balanchine's company is now notable for the strength of its male dancers-a happy change...

Author: /time Magazine | Title: The Dance: The Essential Instant | 12/13/1963 | See Source »

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