Word: bruneau
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Dates: during 1920-1929
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...Symphony Hall at 8.15 o'clock, tonight: Overture to "H Matrimonio Segreto" Cimarosa Ballet Suite Gluck-Mottl Overture to "Matilde de Shabran" Rossini Overture to "Benvenuto Cellini" Berlioz "A Night on Bald Mountain" Moussorgsky Salome's Dance, from "Salome" Strauss Prelude to "Carmen" Bizet Entr'acte from "Messidor" Bruneau Polortsian Dances from "Prince Igor" Borodin
...interest with musical vitality. It also attracts the student of opera for two reasons. First, it is the outcome of sincere experiment in substituting a story of "real life" among the working classes for the romantic or history subjects previously in vogue. Furthermore its text, following the example of Bruneau, a great admirer of Zola and the literary cult of "realism" is written not in verse but in prose by Charpentier himself. Secondly, its scene is laid in the Montmartre quarter of Paris when that section was the native habitat of Bohemian artists, literary men and musicians...
...program of speakers, their subjects, and the musical selections, is as follows: "Le Monument de la Marne." Hector Laze '21. "La Situation Economize de la France." William Allen Denker '20. "La France et le Traite de Paix." Huntington Brown. '22. Solo, "Le Gai Vagabond." Bruneau Solo, "le Manor de Rosemonde." Dupart M. George Mager. Seprano Solo. "Paysage." Hahn Seprano Solo. "Chanson Nervegienne." Mme. George Mager. "L'Education Francaise of I'Avenir." John Leslie Hotson '21. "Le Probleme de la Reconstruction en France." George Richmond Fearing, Jr., '28. "La France a Franefort." Wlater Barton Leach. Jr., '22. Duet from the First...