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Yale's Varsity football coach Albert P. Bruno said yesterday, "The only thing we're concerned with right now is the football game." He added, "We have no feelings about the strike. It'd be a shame if it did anything to deter from a traditional game like this...

Author: By Pamela R. Saunders, | Title: Yale Pickets Will Not Keep Harvard Students From Game | 11/11/1977 | See Source »

...American Friend. Based on a novel by Patricia Highsmith, who also authored the novel that was the source of the Hitchcock classic "Strangers on a Train," Wim Wenders' new thriller is frighteningly effective. Bruno Ganz and Dennis Hopper turn in the best performances of their careers as a dying Swiss picture framer and a psychologically-shattered American who helps manipulate the picture framer into murdering an upper-echelon Mafioso, and Wenders' sharp eye and dramatic sense hone the film to a remarkably fine edge...

Author: NO WRITER ATTRIBUTED | Title: There's A Hitch At Quincy | 11/3/1977 | See Source »

ALLEGRO NON TROPPO Directed by Bruno Bozzetto Screenplay by Bruno Bozzetto, Guide Manuli and Maurizio Nichetti...

Author: /time Magazine | Title: Cinema: Neo-Fantasia | 10/3/1977 | See Source »

Wiesenthal's image in Austria has suffered because of a row with Chancellor Bruno Kreisky over former Nazis in Austrian politics. "Two old Jews fight, and the SS men laugh," says Wiesenthal sadly. He realizes that he may have to be content with what he calls "the biological solu-tion"-the hope that Mengele, who has circulatory ailments, will die soon. But that would not satisfy his outrage that a murderer has gone unpunished. And there is no guarantee that the hunter may not go before the hunted...

Author: /time Magazine | Title: WAR CRIMINALS: Wiesenthal's Last Hunt | 9/26/1977 | See Source »

...spend their lives groping for a promised dream that goes unfulfilled. Set in the slums of Berlin. Stroszek begins on a note of hope as the film's protagonist gains his release from a local mental institution. Played by a German actor going under the nom de theatre of Bruno S., the Stroszek character quickly becomes an awkward and self-conscious symbol of the social orphan. Herzog sketches the despair and alienation of the vagrant with an unflinching vengeance...

Author: By Joe Contreras, | Title: Through A Lens Darkly... | 9/20/1977 | See Source »

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