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These backgrounders do not add an awful lot to our enjoyment of subsequent proceedings, but the mini-action sequences promise bigger, better things to come. This implied promise of livelier things to come also helps get us through a middle passage where Roy Scheider, as the punk criminal, and Bruno Cremer, as the banker, are seen to suffer interminable misery in some of the most squalid squalor anybody this side of a PBS documentarian has put on a screen in a long time. Friedkin has probably been more rigorous about all this than the requirements of popular film making dictate...

Author: /time Magazine | Title: Cinema: Where Did All the Magic Go? | 7/11/1977 | See Source »

...audience, which included top Mafiosi from New York and other parts of the country. Among them were Jimmy ("the Weasel") Fratianno of San Francisco, Mike Rizzitello of Los Angeles, Tony Spilotro of Las Vegas, Russell Bufalino of Scran ton, Pa., and several associates of Philadelphia Boss Angelo Bruno...

Author: /time Magazine | Title: CRIME: Mixing Business and Pleasure | 5/30/1977 | See Source »

What had brought the Mob chiefs together was a series of powwows with New York City Mafia bosses about the new Mob power structure (TIME cover, May 16). TIME has learned that the Western gangsters reported on the progress they have made in expanding their rackets. Bruno's men came to complain about the New Yorkers who are moving into Atlantic City, traditionally Philadelphia Mob territory. And everyone wanted to pay respect to Dons Aniello Dellacroce and Carmine Galante, front runners to succeed Carlo Gambino as the Mafia's next boss of bosses...

Author: /time Magazine | Title: CRIME: Mixing Business and Pleasure | 5/30/1977 | See Source »

...spoke of their 300-year history in Africa and, at one point, taunted the U.S. delegation about the slaughter of American Indians in the 18th and 19th centuries. At the end of the first day, as negotiators prepared to attend a formal dinner given by Austria's Chancellor Bruno Kreisky, both sides refused all comment...

Author: /time Magazine | Title: SOUTH AFRICA: Mondale v. Vorster: Tough Talk | 5/30/1977 | See Source »

...Giordano Bruno barks, maestro-fashion, at the beginning of this piece, Tragedy taken too seriously becomes Farce, and forced Farce is Tragedy. Real laughter is indiscriminate in its intuitive understanding of the irrational, as well as its recognition of the ubiquity of absurdity. How then can the Lampoon take itself seriously? One might as well ask how a harpoon can harpoon itself...

Author: By Brick Maverick, | Title: In Hilaritate Tristis, In Tristia Hilaris | 5/25/1977 | See Source »

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