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...Carlo Bruni, research fellow in Biology, and Guiseppe Millonig, research associate in Biology are working with the biologist under a grant from the National Cancer Institute. Students in Porter's course, Bio 223 (Topics and Techniques in Cytology), assist in preparing tissue for microscope study...

Author: NO WRITER ATTRIBUTED | Title: Biologist Utilizes New Microscope In Cancer Study | 3/16/1962 | See Source »

...real artist was Constance Marie Charpentier, an obscure but obviously admiring David follower. Last week, David was in the news again. In the scholarly French review Gazette des Beaux-Arts, Dealer Georges Wildenstein proclaimed that another painting attributed to David - a portrait of the violinist Antonio Bartolommeo Bruni, which the Frick Museum bought in 1952 - was actually by another female admirer...

Author: /time Magazine | Title: Art: David's Admirers | 3/16/1962 | See Source »

...have been a David. Recently Dealer Wildenstein went back to the same al bum, which also includes sketches for the Salon of 1804. There he came upon the Frick's David under "Painting No. 114." But the legend in the catalogue read: "Mme. Davin-Mirvault, portrait of Signor Bruni, composer, former conductor of the orchestra at the Opéra-Buffa...

Author: /time Magazine | Title: Art: David's Admirers | 3/16/1962 | See Source »

...machine designed to test his grip, squeezed the needle right off the dial and immediately began bawling for a meter that could show just how strong he really was. The grind had hardly begun when a member of the Polish emigre team tried to bump Italian Ace Dino Bruni into the gutter. Bruni kept his balance, but one of his volatile teammates unfastened his bicycle pump and bent it over the Pole's head. Out of Lodz, hell-bent for Stalingrod in the fourth lap, the pack got handlebars tangled, and 25 riders dived into a mass pratfall. Shortly...

Author: /time Magazine | Title: Sport: Peace Pedalers | 5/21/1956 | See Source »

...Mozart's Violin Concerto No. 4, William Bruni indicated the quality of playing that was to fill the evening. Always accurate in pitch and attacks, carefully phrased, his performance grew from its slightly tense opening to a beautifully integrated reading. In the extravagant skips of the slow movement, Mr. Bruni's tone sounded a bit thin, but he managed the final allegro with style and grace...

Author: By Robert M. Simon, | Title: Longy School | 5/10/1954 | See Source »

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