Word: brush
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Dates: during 1930-1939
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...race, at odds of 8 to 1, by five good lengths. Thomond II was third and Forbra fourth, with six others, from the field of 30, plunging slowly in behind them. For the hardest steeplechase in the world, the turf on Aintree's 4½ mile brush-and-water course last week was firm and springy from a rain the day before. Golden Miller's time (9:20 2/5) was a record, nearly 8 sec. better than Kellsboro Jack's last year. Except for the failure of the favorite-which is almost an Aintree tradition -last week...
...first Chris Olsen experienced difficulties. The density of the water destroyed perspective. He would often miss his canvas altogether. When he dropped brushes, they would float to the surface. Now he has mastered the knack of water perspective, uses a palette knife instead of a brush. To avoid chills, even in the warm Bahaman waters where he paints, he stays down only 20 minutes at a stretch, makes four or five trips a day. Sometimes Dr. Roy Waldo Miner, the Museum's Curator of Living Invertebrates, joins him, once took an under water cinema of him at work...
Miss Gore was born on the banks of the Shannon, a member of a large and odd family," and was reared in the south of England. Her Spartan father, recently deceased, "believed all poets were blackguards, that Moses actually saw God in the brush fire, that ethical excellence could only be inculcated by the heavy rod, that trade was outcast and that the summum bonum of existence was to avoid your neighbor." Miss Gore's mother reared her to believe in poetry, in fantastic superstitions like witches, ghosts and the headless coachman, and in the nobility of the Gores...
...lawyers of Rockefeller Center were better than artists at word logic. The latter, unwilling to tar themselves with Rivera's Communist brush, had muted their real indignation against the destruction of a fine work of art, on whatever grounds. Their boycott, they insisted, was based on destruction without the artist's permission. The lawyers dug up an old piece of Rivera rhetoric that sounded something like a "permission."' They flipped it at the artists, quickly and completely deflated the protests and boycotts. In that letter, dated last May, the Mexican muralist had said: "Rather than mutilate...
Totally invisible to laymen was the rebellion that glared out here & there from the walls. Called the "free method," it consisted of a minute variation in technique, which permitted a few brush strokes to show. Chief disciple of this revolt in an art which Samuel Pepys correctly called "painting in little" was able Rosina Cox Boardman with two landscapes. A Meadow swam with a bright liquid green, simple masses of purple hills. Barn in the Valley showed a dazzling vista in miniature. In each the stroke of the brush was faintly apparent to a sharp-focused...