Word: brush
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Dates: during 1940-1949
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Murder & Belief. A slow, meticulous worker in the early Renaissance technique of egg tempera on gesso panels, Cadmus builds his pictures up with thousands of tiny brush strokes, finds time to complete only three or four a year. He had interspersed his Sins with cleverly composed little pictures of ballet dancers practicing and handsome boys having fun on beaches. There was also a photographically sharp scene of mob violence, Herrin Massacre, which described in bloody detail the murder of a gang of strikebreakers by coal miners at Herrin, Ill. in 1922. Like many of Cadmus' best works, Herrin...
...late years Cartoonist Arno, never timid in his technique, has broadened his brush stroke and simplified his situations ("I hate messing around with complicated backgrounds"). Some up-&-coming Arno types: the chinless, chestless little husband, and the ferocious, terrapin-eyed old girl of 50 who admires ballplayers ("We do sell them sometimes, lady, but only to other teams"). Arno likes best the gagless, slapdash sketches of clowns and nudes with which he has padded out his book, even hopes to hang them in a "serious" one-man show later this season. But he admits that he finds his fans...
...once wrote, "was distinguished by the arrival in Paris of Foujita and the tango." For a while they were almost equal sensations. An ambitious art student who had thrice been refused admission to the Tokyo Salon, Foujita rightly reasoned that his black bangs, Harold Lloyd glasses and whisker-fine brush drawings would please Parisians more than they did his fellow Japanese. He came to know Montmartre better than he had Fujiyama, strolled its steep streets in a leopard-skin hat, followed by a brace of tabbies on a leash...
Society swells and bohemians alike flocked to Foujita's exhibitions. Utrillo and Modigliani swept him off on their absinthe binges, though he himself never touched a drop. Matisse dropped around to ask how he made his lines so thin and firm (he does it by holding the brush vertically, in the Chinese way, and drawing from the shoulder instead of the wrist), and solemnly assured him that had he been born in Europe his name would have been Picasso. The Lucky Strike people asked Foujita for a testimonial; his response (for use in Paris newspapers): "Women like to kiss...
...made his name as a poster designer. "But during the war," says Cooper, "my interest in posters faded. I found my hands were functioning without any volition. The first results were doodles, then automatic writing. I thought 'If my pen is doing this, why not the brushes?' One day my hand shot out. Much to my astonishment it picked up a brush and drew on a board...