Word: brush
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Dates: during 1950-1959
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...Republicans were handed a time bomb when they entered office and had to spend the first two years simply putting out the brush fires of their predecessors," Benson added...
...relief to make Rock Cross, but the success of the finished work depends on the careful preliminary sketches he made of rocks along the Maine coast. In Winter, Gabor Peterdi of Yale's Design Center combined both etching and engraving techniques. The result, a moody study of brush locked in wintry immobility, is an imaginative rendering of nature straightforwardly observed...
...Nuts!") McAuliffe, 57, due to wind up his 38-year military career at May's end, winged in from London to New York's International Airport. A jaunty figure in mufti, Tony McAuliffe discounted chances of all-out nuclear war but foresaw a possibility of small "brush wars" involving tactical atomic weapons. Said he: "We'd be suckers if we attempted to fight the Russians with only conventional weapons." What about McAuliffe's fellow cadet at West Point, New York-born General (ret.) Mark W. Clark, president of South Carolina's Citadel, whose Dixieland views...
...Japanese, Sesshu is, as one early critic said, "the open door through which all contemporary and subsequent artists looked into the seventh heaven of Chinese genius." Working mainly in sumi ink and brush, Sesshu changed the Chinese art of landscape into something typically Japanese, portraying traditional Japanese scenes in sure, strong brush strokes that gave a new vigor and vision to the exquisite lines of the Chinese Sung period. From Sesshu onward, Japanese painting had a look of its own and a tradition still practiced by such modern masters as Taikwan Yokohama (TIME, Sept...
...Gramercy Park, owned by Cornelius Vanderbilt ("Sonny") Whitney ('22), Painter George Bellows has caught with bold brush strokes a golden instant of a summer day, quickened for today's viewers by nostalgia for that quieter age. Everett Shinn, one of the original Ash Can Eight, recorded another facet of the feather boa era in Trapeze, owned by Wall Streeter Arthur Goodhart Altschul ('43). A painter who often exclaimed, "Lord, I love the theater," Shinn depicted the flashing figures onstage at Manhattan's Winter Garden Theater. Shinn, with an old vaudeville fan's admiration...