Search Details

Word: brush (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...marriage, she later wrote, was "like a black heavy cloud leaving such a disgusted pain that for years & even now I cannot bear to even brush by it in thought...

Author: /time Magazine | Title: Books: Royal Siren | 6/9/1980 | See Source »

...backdrop of earlier Picassos, it becomes clear why his friends thought he had gone crazy, why the painter André Derain actually predicted that Picasso would hang himself behind the big picture. The painting is freighted with aggression, carefully wrought. The nudes are cut into segments, as though the brush were a butcher knife. Their look, eyes glaring from African-mask faces, is accusatory, not inviting. Even the melon in the still life looks like a weapon. The space between the figures is flattened, like a crumpled box: it was in this play of code between solid and void (one apparently...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

Picasso never painted an abstract picture in his life. His instinct for the real world was so strong that he probably would have produced something woman-shaped every time he took brush in hand. Nevertheless, some of his cubist still lifes of 1911 run close to total abstraction, depending on such slender clues as a glass or a pipestem to pull them back to reality. As he moved forward, he found in collage a way of linking cubism back to the world. Collage, which simply means gluing, brought fragments of modern life?newspaper headlines, printed labels?directly into the painting...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

Less than a minute later, the Tigers jumped back into the action with a quickstick goal from midfielder George Brush...

Author: By Michelle D. Healy, | Title: Tigers Pounce on Laxmen for 9-8 Win | 4/28/1980 | See Source »

Enough? Not for Miró, who seems to have had more ideas than he had time to express. And perhaps even he did not exactly know what he was doing. In painting The Birth of the World, 1925, he started with the background, a scumble of brush strokes and hesitations. What he achieved was a space, but one that has nothing to do with the receding perspectives of the Renaissance's vanishing point. It is indeterminate, a cave without walls, a space where a man could wander in his mind's eye and lose his bearings. Contemplating this...

Author: /time Magazine | Title: Art: Voyager into Indeterminate Space | 4/28/1980 | See Source »

Previous | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | Next