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...ticket are two politicians moving to the middle who will try to depict the Other Guy as a closet extremist. Such is the situation in many states, including New Jersey, where Democratic Representative Bob Torricelli is trying to tar Representative Dick Zimmer with the Gingrich brush while Zimmer is dismissing Torricelli as an unreconstructed liberal. In North Carolina there is an ideological contest generously seasoned with revenge: Harvey Gantt is once again facing off against Jesse Helms, reprising their liberal- vs.-conservative alley fight of six years ago. These days, in part owing to Kerrey, some Democrats are envisioning what...

Author: /time Magazine | Title: CAMPAIGN '96: GETTING SQUARED AWAY FOR BATTLE | 6/10/1996 | See Source »

...relation between the paint surface and the imagined surface of the object (a rock, the side of a house, an apple) is astonishingly direct and candid. This doesn't come across in reproduction. It rises from the paint itself, that discreet paste in which every trace left by the brush seems to help create the impression of solidity, so that you feel you could pick the apple--which is both a rosy sphere of light and a ball as heavy as plutonium--off the table. And yet the surface is never closed, never overdetermined; that is part of the magic...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

Bush said he and his fellow staffers are delighted by the coverage and now have to wait and see what comes of their brush with fame...

Author: By Sarah E. Scrogin, | Title: TV Show Profiles 'Ivory Tower' | 5/17/1996 | See Source »

...possible to run an empire on documents, and they replaced the stylus by the 2nd century A.D. It is notoriously difficult for Westerners to "get" Chinese calligraphy for the obvious reason that we can't read it and so can only admire it, more or less ignorantly, as abstract brush drawing. And yet its range of expressive power comes through marvelously in this show. At one extreme we see the almost chiseled formality of the 12th century Emperor Hui Tsung's script, with its flicking exactness of stroke; at the other, the blithely spontaneous notation of the 8th century...

Author: /time Magazine | Title: ART: TREASURES OF THE EMPIRE | 4/29/1996 | See Source »

...bare crags rising in swirls and convulsions of gray ink as the background to intensely seen trees and tiny human figures--achieved a relationship between notation and object that would make any draftsman, Eastern or Western, faint with envy. The blots, scribbles, hatchings, scumblings and flicks of the brush build up a world of microforms that seems at once abstract and dense with specific experience. No wonder Beijing wants all this back; no wonder Taipei is determined to keep...

Author: /time Magazine | Title: ART: TREASURES OF THE EMPIRE | 4/29/1996 | See Source »

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