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...grimy Greenwich Village cafeterias, endlessly debating the new esthetic and just as endlessly revising the canvases in his studio. De Kooning sought to capture on canvas the continuing essence of the creative act of painting itself. To do this, he jettisoned polished finish in favor of apparently raw brush strokes, which in reality were painstakingly executed and frequently reworked. On another level, he strove to transmute biomorphic forms into a single unending composition...

Author: /time Magazine | Title: Art: DE KOONING'S MASTERWORK | 3/7/1969 | See Source »

Their closest brush with defeat came two weeks ago when a strong Andover squad took the only individual match victory they have surrendered. Andover succumbed...

Author: NO WRITER ATTRIBUTED | Title: Pucksters, Racquetmen, Hoopsters Bettle Hapless Eli Squads Today | 3/1/1969 | See Source »

...three hours every weekday at lunchtime. Until last week, that is, when 15 members of the National Organization for Women, led by that superfeminist Betty Friedan (The Feminine Mystique), 47, demanded entrance on the ground that their civil rights were being violated. Five of the ladies actually managed to brush by a Plaza assistant manager and the maitre d' to capture a center table. But then they came up against the main line of resistance; the waiters studiously ignored their repeated cries for service, and the ladies were eventually forced to fall back. "This is the only kind...

Author: /time Magazine | Title: People: Feb. 21, 1969 | 2/21/1969 | See Source »

...climb like none he had ever experienced before. Often he had to simply plunge forward, dragging himself up through the heavy brush, grabbing on wherever it was possible, plunging in one foot, then swinging the other foot high, and beyond the first. As he climbed, he was scared--scared that he would turn back, that he would turn back and then have to start again or forever carry this failure with him. But all the while he felt his breathing. "I am safe there. I will climb this mountain. I will...

Author: By Nicholas Gagarin, | Title: In the New Pastures of Heaven | 2/12/1969 | See Source »

...does omit one American target, however. At one point, Karina sets the theme of the movie by telling the tale of the man who had a brush with death and fled, only to meet it in his flight. Throughout the film, Godard leaves a trail of authors' names: Robert Louis Stevenson, William Faulkner, Jack London, Raymond Chandler. One name he fails to drop is that of the man who made the legend famous by basing a whole novel on it. He is John O'Hara, and his book was Appointment in Samarra...

Author: /time Magazine | Title: Cinema: Wanton Flow | 1/17/1969 | See Source »

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