Word: brushing
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Dates: during 1960-1969
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Tongue Clicks. Gradually, Itō says, he began to acquire the instincts of an animal. The slightest change in the jungle's normal sounds would send him scurrying from his shelter into the brush, and he and his companions worked out a code of tongue clicks to warn each other of approaching danger. As Itō soon found, no place was really safe. The Chamorros, always armed and forever prowling through the jungles in search of stragglers, discovered his hiding place three times. They killed one of his mates in 1948 and nicked Itō himself with a bullet...
...commonest technique used for wall pictures, produces colors that under the best of conditions are only partially true. Even the far more costly and time-consuming method of collotype, which offers near-perfect color veracity, does not capture the raised daubs and whorls of the artist's brush...
Hand-Painted & Destroyed. Now new processes are beginning to be used for reproductions that fool not only the eye but the sense of touch as well, duplicating both the color and raised brush stroke of oil on canvas. Surrealist Painter Max Ernst, for one, was astonished when technicians in France showed him duplicates of his 1966 work, The Phantom Vessel: "I was absolutely incapable of detecting that they were not my original...
...Manhattan, Tiffany Color Inc. is experimenting with producing oil paintings from color photographs on canvases that are printed with marks imitating the artist's brush strokes. In Bavaria, West Germany, a reclusive engraver named Günther Dietz, 48, has developed a variant on the silk-screen method that has already produced copies of Rembrandt, Dufy, Chagall, Degas, Cezanne and Marini that are almost indistinguishable from the originals...
Baked Images. Little Big Painting is a gibe at the high seriousness that surrounded the cult of the brush stroke by the abstract expressionists. "The original brush stroke was a romantic outpouring," explains Lichtenstein. "Here I'm making a simulated brush stroke, but I've removed the idea of something full of passion." He believes that painting in an era of mass media should be impersonal. To heighten this effect, he has even had some of his works executed in porcelain enamel baked on steel panels, turned out these works in editions of six to eight...