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...great painter, Sindoutomo Sudjojono (1913-1986), was as complex as his favorite subject - Indonesia's independence and development. During his early career, Sudjojono eschewed the prevailing style of painting because its naturalistic, European conventions smacked to him of colonialism. Instead, he took up socialist realism, and put his brush at the service of the country's communist party. By the 1960s, he had switched from propaganda to Pop Art. Toward the end of his life - disenchanted by Suharto's right-wing regime and shunned by leftist artists who felt he had betrayed them - Sudjojono turned inward, experimenting with Expressionism...
...length jacket, holding up a paintbrush like a peace offering amid a violent streetscape. In the background, graffiti from the Partai Komunis Indonesia (PKI) is scrawled across the walls. The painting's content is explicitly political. "[Sudjojono's] point is that all the artist needs is his paint and brush and he can take on the world," explains Kuala Lumpur gallery owner Valentine Willie. Putting the artist center stage also gave the work a self-referential quality that would be echoed in the paintings of Masriadi and Suwage four decades later...
...rugby: rugby union and rugby league [June 30]. Rugby union was the sport closely associated with the white-dominated apartheid regime. Indeed, rugby league was banned during that period because it was seen as a subversive influence in sport. It is unfair to tar rugby league with the same brush as rugby union. Michael O'Hare, Northwood, England...
...roamed the bush. Yet for 6-year-old Doris Lessing, this inhospitable environment offered a welcome refuge from her parents: Alfred, a soldier whose leg had been shattered by shrapnel in World War I, and Emily, a wartime nurse who helped to amputate it. Crouched in a patch of brush, Lessing would cover her ears and shout, "I won't listen," in an effort to drown out her parents' incessant talk of tanks, howitzers and death. "The trenches were as present to me as anything I actually saw around me," Lessing recalls in her riveting new book Alfred and Emily...
...good news was embedded in the dirt trail that snaked its way through the brush: two prints--one belonging to an adult tiger and, within it, the distinct outline of a cub's paw. Later that March day, as the light began to dim in the dry, scrubby forest of India's Ranthambore tiger reserve, range officer Daulat Singh Shaktawat finally saw the new litter in the flesh. Atop a small hill, a tigress stood watch as her two cubs played. Marveling at the scene, Shaktawat moved closer until the mother snarled, keeping him at bay. "There's a thrill...