Word: brushpoint
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Dates: during 1970-1979
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Koetsu and Sotatsu reacted against the hard, linear, brushpoint drawing derived from the Chinese that dominated Japanese art in the early 17th century; instead they used the mokkotsu or "boneless" technique, dropping pigment into wet pigment, staining and mottling the shapes of flowers, twigs and thunder-god with infinitely subtle gradations of color, preparing the paper with washes of gold or silver dust or with a snowy, glistening mixture of eggshell white and flakes of mica. These hallmarks-which must in their time have seemed very "Japanese," in elaborate contrast to the austerities of Chinese brush technique-helped form...
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