Word: brushworking
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Graham Sutherland began his career as an engineer, and underneath his soft brushwork there still are ruled lines that lend a cubistic solidity to his work. He has designed posters, ceramics, a tapestry for the new Coventry cathedral. His portraits of Winston Churchill, Somerset Maugham, Lord Beaverbrook are masterful interpretations of character. But when Sutherland works impulsively, he always returns to surreal scenes of natural forms, 25 of which went on view last week in Manhattan's Paul Rosenberg & Co. galleries...
...Daubigny, said that his paintings were just "rough drafts." He continued: "It is really too bad that this landscape painter, who possesses such a true, such a just, and such a natural feeling, is satisfied by an impression and neglects details to this extent." Scornfully, Gautier noted that the brushwork was "merely spots of color juxtaposed...
...indeed a nuisance, even to the men who hired his skill. From Lord Beaverbrook, for whom he went to work in 1927, Low exacted the promise that he could draw whatever he chose. That choice was rarely to the proprietor's Tory tastes; Low's brushwork punctured the Conservative Party, the Beaver's dreams of British Empire, and the Beaver himself. Low once depicted his boss as a witch on a broomstick, preaching "politics for child minds." When Beaverbrook urged his staff to go light on Mussolini's rape of Abyssinia, Low impudently drew three monkeys...
...wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless), non-contrasting (colorless) colors, brushwork brushed out to remove brushwork, a mat, flat, freehand painted surface (glossless, texture-less, nonlinear, no hard edge, no soft edge) which does not reflect its surroundings-a pure, abstract nonobjective, timeless, spaceless, changeless, relation-less, disinterested painting-an object that is self-conscious (no unconsciousness), ideal, transcendent, awaare...
...painting. The mere fact of the show certainly means that abstraction is going to have to move over and make room for a new kind of U.S. representationalism. Yet much of the excitement of the figure paintings traces back to abstraction. The paintings come from artists who learned color, brushwork, emotionalism and intuition through abstraction-or, conversely, from artists who stuck to saving faces and figures in bitter resistance to abstractionism's popularity and rich returns...