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Champagne: Beaulieu, Brut...

Author: /time Magazine | Title: Wine: California Crus | 7/22/1966 | See Source »

...brut (raw art), Dubuffet says: "I would like people to look at my work as an enterprise for the rehabilitation of scorned values." To break down the "unhealthy convention" of differentiating ugliness from beauty, he has turned out mudpie paintings covered with coarse scratchings and reduced the traditional ideal of feminine beauty to scarifying yet powerful grotesques. In other series, called Texturologies and Topographies, he has exalted the artistic possibilities of ordinary dirt. His latest works, titled L'Hourloupes (opposite)-probably a pun on entourlouper, "to deceive, to misguide"-dip even further into the mad world to find images...

Author: /time Magazine | Title: Painting: Shock Treatment | 4/22/1966 | See Source »

...began making art while detained as an Italian army doctor in a U.S. prisoner-of-war camp. He stood eminently in line for his medal, since he had won minor prizes at the Carnegie International in 1958 and the Venice Biennale in 1960. One of the many European art brut abstractionists who explored the beauties of raw texture after World War II, Burri makes a sort of mad Braille with collages of blistered burlap (called sacco), charred wood (combustioni), and lately, slashed and melted sheets of colored plastic. How to make an esthetic of ugliness is his prime concern...

Author: /time Magazine | Title: Exhibitions: Biennial Bash in Brazil | 9/10/1965 | See Source »

...sophisticated French pursuit of paint as paint-tachisme, art brut, or art informel-Spaniards such as Tàpies brought robust energy. They not only painted the wall; they made walls. They slashed and splattered their canvases, then stitched and bandaged them up. Their palettes were a tinker's delight, making Jackson Pollock's drip technique seem like polite pottering. And out of that impulse grew the whole movement (see color pages). Some of the comers...

Author: /time Magazine | Title: Styles: Iberian Resurgence | 8/28/1964 | See Source »

...Most art brut bears a primordial stamp, but Samant's is sophisticated; his indecipherable scribbles speak to man deeper than the syntax of known language. To Samant, they tell of his own introspection: "It is as if I have walls around me." Yet he speaks to the world through their painterly surfaces, and centuries echo musically off them...

Author: /time Magazine | Title: Art: Chant of Centuries | 3/6/1964 | See Source »

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