Word: brutalists
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...School of Design, meeting Faust’s challenge would require major renovations to its only building, Gund Hall,a 1970s Brutalist concrete building half occupied by a 35,000 square foot open studio space where the temperature varies by as much as 15 degrees between the bottom and top levels...
...concept behind Brutalism, a postwar architetural aesthetic, figures prominently in Ted Leo and the Pharmacists’ (TL/Rx) sixth studio album, “The Brutalist Bricks.” Like the raw concrete buildings meant to reveal the structure and function of their rooms through their exteriors, the album’s tracks combine to embody what seems to be the LP’s primary purpose. “Bricks” seeks to remain true to TL/Rx’s punk roots and commitment to a diverse range of musical genres, while experimenting with the style...
With tracks meant to fit coherently and easily into the larger constitution of an improved TL/Rx, “Bricks” too easily shows its cracks. The album purports to flow as seamlessly as the textured Brutalist buildings of the postwar era. But while its foundations remain solid, upon closer examination, “Bricks” is more often a revelation of the band’s disjointed endeavor to fuse old with...
...plot of The Lost Symbol churns forward with a brutalist energy that makes character but a flesh appendage on its iron machine. It's fun, but you feel a little bruised afterward. Langdon must ransack the Capitol for his missing friend Peter Solomon, the one who lost the hand, and for a hidden Masonic pyramid, which is the key to some mystical wisdom that will turn man into god, which is something that Mal'akh, the tattooed nut job, has a keen interest in. Langdon is joined by the head of the CIA's Office of Security, who for some...
Jonathan Littell's The Kindly Ones (Harper; 984 pages) is one of those brutalist European maxi-novels that periodically come soaring at us across the Atlantic as if lofted here by a trebuchet. The last one was Roberto Bolao's 2666, in November. You can recognize them by their seriousness of purpose, their wild overestimation of the reader's attention span and their interest in physical violence that makes Saw look like Dora the Explorer. It's as if these European writers are laughing at their prim American counterparts, with their fussy scruples, the way Sudanese warlords laugh...