Word: brutalization
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Dates: during 1960-1969
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Army in Viet Nam (USARV) headquarters at suburban Long Binh. Though the initial damage was light, no one could be sure that the Communist attack was not a softening-up prelude to another major drive. Compared with the brutal onslaught of the Tet offensive, however, last weekend's thrusts seemed mild...
...narcissistic devotion to his own quirks of mind; Kerouac a far less talented man, nevertheless compels more respect for his dogged and humble concern to tell a plain tale and to explain himself, rather than demonstrate the wickedness or folly of others. Nor is Kerouac capable of the brutal vulgarity of a writer such as James Jones, whose books strike anyone of any sensitivity as weary, stale, flat-and profitable...
...Yale Art Historian Sheldon Nodelman as "by far the most important of the Roman bronzes, one of the most striking pieces in the show." Though the portrait has not been formally identified, the Fogg's Mitten says that "there is no question" but that it is the brutal but brilliant emperor Caracalla (A.D. 188-217) who murdered his brother (and co-emperor) in order to secure sole power, put to death some 20,000 of his brother's supporters, but also adorned Rome with many handsome public buildings. Imperial statues such as this were set up both...
Pope-Hennessy, authorized biographer of Queen Mary, grandson and biographer (Verandah) of a British colonial governor, is not a formal historian; his book is a stark, sometimes emotional act of moral scrutiny. From brutal start to finish, he documents the slave traders' operation as a "vast complex of international crime." Captains' letters, half-literate journals, freed slaves' memoirs-all the available primary sources are meticulously assayed, not so much to show how the slave trade operated as to try to explain...
...attempt to demonstrate the viability of Shakespeare's insights into men's weaknesses in terms of modern theater. His Hamlet is a gathering of fantasies, envisaged by the leading players. The fantasies seldom interlock; emotions are inner, private and unshared, until they clash in a series of brutal, shattering collisions. Shakespeare's language remains undisturbed in this version, but Papp's imaginative scissoring and repasting has sculptured a Hamlet of crystalline tensity...