Word: brutalization
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Dates: during 1970-1979
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...were killed--Thompson has written, and it was a turning point in his writing as well. After a couple of transitional pieces, including a bitter account of Nixon's first inauguration, he plunged full-fledged into gonzo with "The Kentucky Derby is Decadent and Deparaved," a hilarious and brutal tale with Thompson in the starring role, English illustrator Ralph Steadman as side-kick, and the liquor-filled aristocracy of Churchill Downs as the venal side of America...
...guarantee the conference's success, there was a prior agreement that it would concentrate on humanitarian solutions and avoid, as much as possible, political recriminations. This was done primarily to ensure the presence of Viet Nam, whose policies of brutal repression and wholesale expulsions have been responsible for the flood of refugees. Arriving in Geneva, Viet Nam's unctuous Deputy Foreign Minister Phan Hien pledged his country's "full cooperation" at the conference, provided that "our national sovereignty will be respected and financial help extended...
...part of its get-tough policy toward the Vietnamese boat people, who have been arriving on its shores in ever growing numbers, Malaysia in the past two weeks has sent nearly 15,000 Vietnamese refugees back to sea. Malaysia has disposed of 55,000 unwelcome guests in that brutal fashion since Jan. 1, but there are still 76,000 Vietnamese exiles in the country's refugee camps...
...accounts, the government is forcing its Chinese to choose between leaving the country or moving to one of the "new economic zones"-that is, rural labor camps. Western intelligence agencies are convinced that Hanoi is determined to get rid of all of its 1 million ethnic Chinese. In a brutal, Catch-22 manner, the government is charging even those people it wants to exile for the privilege of leaving. The price has apparently averaged about $2,000 per person, payable in gold or hard currency...
...from paintings to agitprop posters, from architectural drawings to teacups and chess sets-put the center's director, Pontus Hulten, at a disadvantage in bargaining. The Russian side of the show is wholly chosen and catalogued by Soviet experts, whose essays (as one might expect) gloss over the brutal fate of the culture they discuss and, as art history, are not pitched at the level of scholarship a European audience feels entitled to. But it is the work that counts, and must be seen, in all its energy and episodic magnificence: a vast panorama, from the haunted...