Word: brutalize
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Ravel's Jeux d'eau and Debussy's Feux d'artifice rippled with pinks and light blues. Prokofiev's fiery Sonata No. 7 was dramatic and brutal when it had to be, gentle when that was called for. To Manhattan critics in the audience, it seemed that Hollander had never before bared his inner feelings quite so convincingly...
...block called Queens Row. The character that Bruce called "the handsome but mixed-up prison doctor, H. B. Warner," has been replaced by a sissified head-shrinker whom the men lovingly refer to as "that faggot psychologist." The warden, usually portrayed as tough but sympathetic, is played as a brutal martinet by Frank Eyman, who is a real-life warden...
...give her just one more chance.' I think the first one was better. The Who play hard rock music, and have a great act, and are very weird people. The group has a drummer, a bass guitar, lead guitar, and a singer, but they produce a complex, brutal, hard sound. People go to their concerts to try to see how they make all those noises with so few instruments. Its hard to describe, but the breaks in their sound awfully formless and abstract, but deep down they consist of just a hard drum beat, a loud bass, and Townshend...
When Pope jibed at an ailing enemy as "Sporus, that mere White curd of ass's milk," he was writing with a brutal bitterness that sprang from his own wretched health. He was a gay and high-spirited youth to his twelfth year, when he contracted Pott's Disease (tuberculosis of the spine) from infected milk. The affliction left him partly crippled and progressively deformed. It also arrested his growth; Pope never exceeded 4 ft. 6 in. (a "little Aesopic sort of an animal," a "venomous . . . hunchbacked toad," in the words of his tough contemporaries...
Chabrol's camera creates and defines characters, theme, and content, able to articulate everything his characters cannot. His ability to do exactly what he wants is shown in the brutal climax of The Champagne Murders, a one-and-one-half minute montage of all the camera movements and color schemes that have previously dominated the film, which arrives at a shocking (Marnie-like) shot of unearthly colors and images foreign to it. In Les Biches, the soft lighting of the night scenes is as magnificant as any in film history, as are the time-compression montages of Frederique...