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...editors of Hearst's San Francisco Examiner, the beefy, flashily dressed stranger introduced himself as Bob Patterson, an all-round newshand. He'd just breezed in from Atlanta, he said, via Hollywood, where he had written Brute Force for Mark Hellinger. He wanted...

Author: /time Magazine | Title: The Press: Exit Blushing | 2/7/1949 | See Source »

...novelist, just hasn't got enough screen personality to make Saxon's dominion over him seem worthwhile. The wife, Susan Hayward, registers tender anxiety throughout without much success, and Audrey Totter, as Saxon's girl friend has to cope with the sort of "I-love-him-the-brute" part which was thoroughly explored by Clara Bow a long time...

Author: By David E. Lillenthal jr., | Title: The Saxon Charm | 11/6/1948 | See Source »

...Brute Plane. The only airplane, so far as is known, to fly faster than sound is the rocket-propelled X-I (TIME, Jan. 5). But the X-I is not a real operational airplane. It is very small and heavy, made largely of metal plates nearly half an inch thick. It carres no useful load except the pilot, some instruments and fuel for two minutes of flight at full power. It smashed through the transonic speed band by sheer brute force, not aerodynamic virtuosity...

Author: /time Magazine | Title: Science: More Power to You | 8/9/1948 | See Source »

...make up for the brute strength he lacks, Felton uses speed and finesse. Like most good hammer men, he takes three turns, which require perfect timing and footwork. Getting the iron ball whirling around at top speed while staying within a seven-foot, hard-clay circle takes split second coordination. A hammer thrower should be able to start quickly, hold himself stiff without breaking at the waist, and on the turns, glide, not jump across the circle to the final explosive pivot lift. Some experts say he should be able to run 25 yards as fast as a sprinter. Felton...

Author: By Stephen N. Cady, | Title: Felton Ranked Nation's Best Hammer Thrower | 6/9/1948 | See Source »

...very odd coincidence, something went terribly wrong with this mixture: the cement began to harden before it could be poured, and all hands had to get it out of the machine by brute force. Now & then the picture faintly approximates the iron sadness and bitter glamor which Remarque tried for in his novel; most of the time the deep grimness of the subject and the schmalziness of its exploitation get embarrassingly in each other...

Author: /time Magazine | Title: The New Pictures, May 10, 1948 | 5/10/1948 | See Source »

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