Word: brutishness
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...five days of the championship competition, 73 competitors roped and rode through the full rodeo schedule. The rough & tumble rides (for eight-second "eternities") on the 1,500-lb. brutish Brahmans* were matched by other wild & woolly events: bareback bronc riding, bulldogging, wild cow milking...
...flashbacks of Rubashov's life, are also carefully and even passionately portrayed. Joanna Brown is a moving and, at the same time, strong Lube, Rubshov's secretary and lover. She, more than any other in the cast, acts with both clarity and emotion. Theodore Gershuny plays Gletkin, the brutish child of the new order, with admirable force, but a little too much vehemence. Ivanoff, Gletkin's predecessor as commandant of the prison, is intelligently and smoothly acted by Michael Mabry. Director Charles Humpstone has done well with his cast...
...typical sufferer from what Dr. Asher calls the "Munchausen syndrome," after the famed yarn-spinning baron. Her kind troops from hospital to hospital in psychopathic search of drama and attention. The Elsies, says Dr. Asher, often "seem to gain nothing except . . . discomfiture . . . Their initial tolerance to the more brutish hospital measures is remarkable, yet they commonly discharge themselves after a few days with operation wounds scarcely healed . . . Their effrontery is sometimes formidable, and they may appear many times at the same hospital. hoping to meet a new doctor on whom to practice their deception...
...quick succession he got fat parts in Maxwell Anderson's short-lived Truckline Cafe, Katharine Cornell's production of Candida and Ben Hecht's A Flag Is Born. In 1947, he found himself an overnight Broadway sensation as the brutish lout of a husband in A Streetcar Named Desire. He is still not certain that he fully "succeeded in some aspects of the part," in spite of the fact that one critic called him "our theater's most memorable young actor at his most memorable...
...world, which is not effectively policed, does not need to be policed at all. The hero, the self-appointed investigator and agent of justice, is able to set things right independently. The world thus appears as a kind of workable anarchic arrangement where . . . life need not be nasty, brutish and short, at any rate not for anyone we care about...