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People in Port-au-Prince call Junon Brutus "Soeur Junon" (Sister Junon), describing her as a prophet and a messenger from God. Her crowning moment thus far came on Feb. 12, when Brutus, 42, stepped center stage to face thousands of arms waving in unison, reminiscent of the pulsating energy during Carnival performances. The gathering was not a celebration but a lamentation marking the one-month anniversary of Haiti's earthquake - a disaster that many in Haiti believe Brutus predicted. But she thinks her country can rise from its travails. "God always has a plan for his children...

Author: /time Magazine | Title: A Prophetess Offers Hope for Quake-Ravaged Haitians | 2/23/2010 | See Source »

...Brutus, who is Haitian American, officially resides in Orlando, Fla. She left Haiti when she was 11 years old and says she returned to deliver God's message. In January 2007, she says, she heard the voice of God reveal to her that a disaster would hit Haiti and that she was to warn the Haitian people. She then began to aggressively try to speak with Haitian President René Préval. She says she was dismissed repeatedly. "He wouldn't see me," Brutus tells TIME. "No one believed me, and they thought I was a loony." (See exclusive...

Author: /time Magazine | Title: A Prophetess Offers Hope for Quake-Ravaged Haitians | 2/23/2010 | See Source »

...tapped into that. The scene was realistically written; it’s an important message and needed to be said.THC: Okay, now let’s talk about “Julius Caesar,” which just ended production. How did you personally prepare for the role of Brutus? Any particular methods? Did you stand in front of a mirror?JTF: I have worked on Shakespeare before, but this is my first full production. I have done other plays that demanded a similar kind of style and poetic language, such as “The Rivals?...

Author: By Alec E Jones, CONTRIBUTING WRITER | Title: 'Wire' Actor Talks T.V. | 4/8/2008 | See Source »

...itself allows the audience to become part of the production. The performance is set against a painted backdrop depicting a mirror image of the audience—but with empty chairs. During the play’s famous funeral oratory, no actors are on stage except for Antony, Brutus, and Lucius, effectively making the audience play the part of the Roman citizens. The production is highlighted by some solid acting. Thomas Derrah, a dramatic arts lecturer at Harvard, nails the confident and fearless Caesar, who is devastated when betrayed by his close friend Brutus. Sara Kathryn Bakker shines brightly with...

Author: By Melanie E. Long, CONTRIBUTING WRITER | Title: A.R.T.'s Modern 'Julius Caesar' Says It Right | 2/20/2008 | See Source »

...Julius Caesar” is a malleable play: It is adaptable to many themes, and Mead and Salas made the Loeb Ex version about the actions and eventual downfall of Brutus and Cassius. It seemed at times that it might have become a play about current events, or political truths, but the production never quite reached that point. It worked quite well, however, as a showcase for some great acting and for the language and story of the play itself—a feature that on its own is enough to recommend the show...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: 'Julius Caesar' an Ambiguous Success | 4/2/2007 | See Source »

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