Word: brutuses
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...notes. Some students are more blunt in their appraisal. "Professor Southern's resignation wasn't an accident or a disaster. She alienated students from the department and discouraged them from having any participation in the department. She wouldn't meet with students and wasn't responsive to them," Anthony Brutus '77-5, an Afro-Am concentrator, says...
...this weekend's press opening, Kenneth Haigh's Prospero seemed imbued with a weariness that I don't think either he or the director intended. Haigh's load this summer is enough to tire anyone: when he is not doing Prospero, he is playing either Brutus (an even longer role) or Malvolio. At any rate, his Prospero is not yet a sustained piece of work...
...addition, Brutus and Antony not only deliver their eulogies before a battery of microphones but also are filmed by an unseen TV camera. So as we watch the two men speak, we simultaneously see them, from a slightly different angle, projected on a screen over their heads--bigger than life, as in a movie newsreel...
Haigh makes the most of Brutus' abstraction-ridden speech. As everyone knows, Antony's demagogy must top this, after Caesar's body is brought out in a closed casket with his bloody military jacket on it instead of a flag. Luckily, James, Naughton is blessed with a rich baritone voice. If he cannot match Brando's electrifying performance in the 1953 film, he is still hugely impressive, shrewdly guaging his manner against the scattered reactions of the crowd and choosing the right moment to throw open the mirror-lidded casket...
...shrewd was Freedman's decision to turn Brutus' servant boy Lucius into a grown military orderly. Peter Webster is a good ten years too old, even if he did write his own song and does accompany himself on a mandolin. Brutus is his best self when dealing with a youngster who is a surrogate son. The character of Lucius was entirely Shakespeare's happy inspiration, and having an adult in the role undercuts what ought to be a loving, tender and solicitous father-son relationship--as we saw here between Douglas Watson and young Alan Howard in the 1966 production...