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Word: brutuses (lookup in dictionary) (lookup stats)
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Furthermore, Dunlop, who has a nimble intelligence and no inconsiderable gifts in stagecraft, seems either to have missed or ignored the moral point of the play. Rome is at the flash point at which a republic blazes into tyranny. Into the crucible of history, the conspirators, and especially Brutus, pour the proposition that evil means (the assassination of Caesar) justify good ends (the preservation of the citizens' freedom). And history, time and time again, has verified the answer proffered by the play: the ends never justify the means; the means degrade and become the ends...

Author: /time Magazine | Title: Theater: Et Tu, Dunlop! | 4/24/1978 | See Source »

...Brutus is the moral core of the play, a bit of a standoffish prig, perhaps, but still unstainably idealistic. In Rene Auberjonois's handling he is merely sweatily fretful, like someone who has just received word that he is up for an IRS audit. When it comes to the lean and hungry Cassius, Richard Dreyfuss looks like someone who makes substantial midnight raids on the fridge. More pertinently, he appears as the soul of sanity, a jarringly implausible refutation of the qualities of envy, thwarted ambition and deviousness that are an intrinsic part of Cassius' makeup...

Author: /time Magazine | Title: Theater: Et Tu, Dunlop! | 4/24/1978 | See Source »

Miller offers a spirited defense. "Julius Caesar had his Brutus," he says, "but I've got about a hundred Brutuses. The problems I have are not with the membership, it's with the elected officials and the staff." Miller explains, with some justice, that almost from the day he was elected, opponents have tried to undermine his administration. First, he says, it was the obstructionist international board, then the opposition of U.M.W. Vice President Mike Trbovich, who has been forced out of the fray by his own overheated charges about Communists in the Miller administration. Miller...

Author: /time Magazine | Title: LABOR: A Close Horse Race in the Mines | 2/7/1977 | See Source »

...like McKay, Lombardi had a style. It was ferocity. That, plus his victories at Green Bay, made him the focus for a generation of football writing. Presently, we heard from the right that Lombardi was the noblest Roman since Octavius. (Not Brutus. Brutus lost.) The left suggested that he would have made a perfect fascist. In the cacophony people forgot that Lombardi was only a football coach who put Xs and Os on a board-righthanded...

Author: /time Magazine | Title: BYPLAY by ROGER KAHN: Aboard the Lusitania in Tampa Bay | 11/22/1976 | See Source »

Repertory Gamut. For the past 16 years, however, he has managed to confine his energies to the Dallas Theater Center, where he has served as stagehand, ticket taker, director and actor, running the repertory gamut from Julius Caesar-he played Brutus-to A Streetcar Named Desire...

Author: /time Magazine | Title: THE SOUTH - THEATER: TexasTripIe Play | 9/27/1976 | See Source »

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