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...loyalty we associate with Horatio in Hamlet, the Bastard in King John, and the Earl of Kent in King Lear. His demise is the sole truly tragic aspect of this play; but one cannot call Antony a tragedy about Enobarbus as one can call Julius Caesar a tragedy about Brutus. Donald Davis' traversal of Enobarbus' famous Barge narration is not up to par, but his later scenes of repentance and death are powerful acting Rae Allen (Charmian), Will Geer (Agrippa), Claude Woolman (Menas), and Richard Waring (Sooth-sayer) are commendable in smaller parts; but Patrick Hires' cracking falset...

Author: By Caldwell Titcomb, | Title: Antony and Cleopatra | 8/4/1960 | See Source »

Broadway these days seems a strait-laced street, solemn with young Method actors mooning over Chekhov and Freud, censored by Actors Equity, censured by critics. Little is heard to compare with the 19th century chores of young Edwin Booth, who led his father, Junius Brutus Booth, staggering from the corner saloon; or Stella Campbell, who turned her back on Sir Beerbohm Tree so often that he ran screaming from the stage. But last week Broadway's most spectacular feline feud in years had the whole street on edge. The clawing started when gifted Actress Kim (Bus Stop) Stanley abruptly...

Author: /time Magazine | Title: BROADWAY: One Touch of . . . | 4/6/1959 | See Source »

...Brutus: Well, how did you like that pizza last night...

Author: /time Magazine | Title: Education: Hic, Haec, Hoax | 8/18/1958 | See Source »

Nonetheless, it it a good movie. Good because Gielgud as Cassius turns in a tremendous performance, because Mason as Brutus beginning with the assasination--is excellent. On these two performances, a few good camera angles, and fine musical background, Julius Caesar's success and entertainment value depend...

Author: By Sam Johnson, | Title: Julius Caesar | 5/16/1958 | See Source »

...quick succession Shakespeare turned out three romantic comedies around 1600: Much Ado, As You Like It, and Twelfth Night. The last is by far the best; but the second best of Shakespeare--as of Brutus--is impressive. Still, the serious main story of Hero and Claudio in Much Ado is pallid stuff, and is based more on accident and coincidence than a Hardy novel. Shakespeare obviously took this tale just as a frame to hang some original fun on. What impresses us (as it did Berlioz in fashioning his last opera) is the sparkling and witty comedy of Beatrice...

Author: By Caldwell Titcomb, | Title: Much Ado About Nothing | 8/8/1957 | See Source »

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