Word: bryants
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...networks provided live pictures from Viet Nam, but the costs did not seem worth it. NBC News spent an estimated $1.2 million for its live coverage, including four Today programs, with Bryant Gumbel as host, from Ho Chi Minh City. ABC News paid about the same, mostly for four Nightline shows from Indochina and reports on Good Morning America. CBS decided against live broadcasts, relying instead on taped segments (and spending only about $450,000). Howard Stringer, executive vice president of CBS News, said that his network believed live coverage in a restricted society like Viet Nam's promised...
Five panelist--Jackie Cooke, a graduate student in government; Jeffrey Ferguson '85 of Leverett House, Ronald Roach '85 of Quincy House, Johnson and government graduate student Sheree Queen-Bryant-presented their views of what the Black intellectual could glean from Cruse...
...crew at his general audience and expressed his hope that the media exposure in the U.S. during Holy Week would "bear much spiritual fruit." After a semiprivate Mass under Michelangelo's frescoes in the rarely seen Pauline Chapel, the Pope met briefly with Today Hosts Jane Pauley and Bryant Gumbel, both of whom asked the Pontiff to bless their children. Also present was Pauley's usually camera-shy husband, Cartoonist Garry Trudeau, who afterward remarked, with a trace of awe in his voice, "He was not like somebody working the crowd at all. He really greeted each...
...certainly was big news. But all that Rather, Brokaw and Jennings demonstrably gained by being on the scene was successive three- minute interviews with Secretary of State George Shultz, which could probably have been conducted via satellite from their studios in New York City. For NBC's Today Anchor Bryant Gumbel and ABC's Good Morning America Anchor David Hartman, who also moved their shows to Geneva, the rewards seemed even slimmer...
...script is based on fact--a 1901 jailbreak masterminded by the young matriarch who had fallen in love with one of the convicts--but the tone is pure High Hollywood elegiac. This is revolution as amour fou, which Diane Keaton knows something about from her turns as Louise Bryant in Reds and the frazzled Mata Hari in The Little Drummer Girl. Keaton and Australian Director Gillian Armstrong (My Brilliant Career) might seem to make a good protofeminist match, but the results are dour and disappointing. The film's strongest suit--Russell Boyd's sepulchrally seductive cinematography--ironicall y seals...