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...crash of 1907]. I could feel myself becoming what [Anthropologist W. L.] Warner calls 'mobilized downward.' Of course, I had read Horatio Alger and I was ready to face this change in circumstance in a sportsmanlike manner." In Point of No Return it is Anthropologist Malcolm Bryant who explains such niceties of the scientific vocabulary to Charley Gray...

Author: /time Magazine | Title: Books: Spruce Street Boy | 3/7/1949 | See Source »

Even for a greaseball, however, there were Harvard compensations. In Cambridge, Marquand lived in the same rooming house as young James Bryant Conant, now Harvard's president. Marquand remembers him as a brilliant student who invented the "two-drink dash," a simple game in which a prize was supposed to go to the man who could get by subway to a wine shop in Boston, bolt two drinks and get back in the shortest time. "We spent a good deal of our time doing the two-drink dash, but I don't remember that anybody ever...

Author: /time Magazine | Title: Books: Spruce Street Boy | 3/7/1949 | See Source »

Harvey Greenfield 2L will speak on the subject "Behind the Scenes of a Broadway Production" at 8 p.m. tonight at Hillel House, 5 Bryant st. He will outline the progress of a play...

Author: NO WRITER ATTRIBUTED | Title: Hillel Talk Tonight | 2/15/1949 | See Source »

Cole's approach to landscape was typical of his day, which was also the age of William Cullen Bryant and James Fenimore Cooper. Seven years before his death in 1848, Cole explained that "American scenes are not destitute of historical and legendary associations; the great struggle for freedom has sanctified many a spot, and many a mountain stream and rock has its legend, worthy of the poet's pen or painter's pencil . . . And in looking over the uncultivated scene, the mind may travel far into futurity. Where the wolf roams, the plow shall glisten...

Author: /time Magazine | Title: Art: Arcadia by Telescope | 1/24/1949 | See Source »

...aspect of the production. The clear definition of each of the three important characters avoids the ambiguity which prevails in the Greek camp, and in the attitude toward war. Jan Farrand is gorgeous, graceful, and convincing as a Cressida who wants to be faithful but simply cannot say no. Bryant Haliday plays a tragic Troilus with maturity and restraint. His statement of utter despair when his world collapses about him is impassioned, but unexaggerated...

Author: By Herbert P. Gleason, | Title: Troilus and Cressida | 12/9/1948 | See Source »

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