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...ended at 2:15; the second part, "Shipwreck," commenced at 3:15 and went till 6:30; and the finale, "Salvage," started at 7:30 and let out around 10:45. As a theater-binger from way back (the Royal Shakespeare Company's "Nicholas Nickleby," Bill Bryden's production of "The Miracles" for the National), I welcomed the chance for total immersion in non-stop-Stoppard with 2500 like-minded pilgrims...

Author: /time Magazine | Title: That Old Feeling: Theater Past, Theater Perfect | 11/24/2002 | See Source »

Immediately after the announcement, Ottawa Senators owner Rod Bryden triumphantly announced that he had "put away the 'For Sale' sign." NHL Commissioner Gary Bettman breathed a sigh of relief. And the response from the public resounded from the banks of Newfoundland to the shores of British Columbia...

Author: By Mike Volonnino, CRIMSON STAFF WRITER | Title: The "V" Spot: No Canada | 1/24/2000 | See Source »

...Drug Enforcement Administration watched him from a parked car across the street. Before he knew what was happening, Munoz Mosquera suddenly had a dozen guns pointed at his head. "We have captured the single most trusted hit man of the Medellin cartel," announced New York DEA chief Robert Bryden. Munoz Mosquera is believed to have killed 40 Colombian officers, government officials, witnesses and innocent bystanders, and may have masterminded the 1989 murder of presidential candidate Luis Carlos Galan...

Author: /time Magazine | Title: Law Enforcement: Nabbing a Hit Man: Nabbing a Hit Man | 10/7/1991 | See Source »

...legitimate business ventures, the Cali capos have forged contacts with key people in business, politics, the law and the press. Even police officials speak of los caballeros (gentlemen) of Cali in contrast to los hampones (hoodlums) of Medellin. "Cali gangs will kill you if they have to," says Robert Bryden, head of the DEA in New York. "But they prefer to use a lawyer...

Author: /time Magazine | Title: The Cali Cartel: New Kings of Coke | 7/1/1991 | See Source »

Half of Aria's episodes can be considered briefly and passed over, like the bacon bits at a sumptuous salad bar. The connecting sequence, by Bill Bryden, takes way too long to let John Hurt dress up as Pagliaccio. Charles Sturridge's essay for La Forza del Destino -- an urban mural of children's faces -- is all dour style, a Bugsy Malone in Nighttown. The Bruce Beresford segment, from Erich Korngold's Die tote Stadt, is content to watch two young people disrobe in an English mansion. Robert Altman had the inspiration to show a restless 17th century audience...

Author: /time Magazine | Title: Cinema: Opera for The Inoperative | 5/2/1988 | See Source »

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