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ANNE-SOPHIE MUTTER AND THE BSO...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: BSO Bares Shoulders, Little Else | 2/19/1999 | See Source »

...year, opening its season with Petrassi's Concerto for Orchestra No. 5, SaintSaens Piano Concerto No. 2 and Mendelssohn's Symphony No. 3. First Nights' matriculators will enjoy an upscale evening which calls for discriminating musical analysis. Pricey but classy, a romantic evening accompanied by the strains of the BSO is a surefire way to impress a dating prospect. 8 p.m., Symphony Hall, 301 Mass...

Author: By Sara Reistad-long, | Title: LISTINGS | 11/19/1998 | See Source »

...Mahler is moving--but rare. And so, when conductor Seiji Ozawa and the Boston Symphony Orchestra (B.S.O.) performed one of Mahler's final (and arguably, most perfect) pieces, the vocal accompanied Das Lied von der Erde (The Song of the Earth), they achieved two feats. Not only did the BSO lead us to Mahler's own spiritual crossroad--the dark hinterland that lingers between life and death--but it managed to affirm its reputation as one of America's greatest symphonies...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: Bartok & Mahler | 11/13/1998 | See Source »

...BSO thrives under something rare in the classical music world--a long-reigning conductor. In his 26th year as music director, Seiji Ozawa is currently the world's longest serving conductor of any major orchestra. With Ozawa at its helm, the BSO attains a balance that might seem impossible for other contemporary symphonies--a balance between high sales in tickets and high quality in programming. The process of choosing a repertoire can be as political as it is musical, an inimical intersection between the vision of a governing board concerned with fund raising and a conductor concerned with musical integrity...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: Bartok & Mahler | 11/13/1998 | See Source »

...highlight of the concert, however, came after intermission with the performance of Mahler's Das Lied von der Erde, his adaptation of Hans Bethge's collection of translated poems The Chinese Flute. At this point, Ozawa was not only conducting the BSO, but also two singers, Ben Heppner and Thomas Quastoff, who rounded out the tenor and bass-baritone voice parts. The work was divided into five parts that explored a different facet of Mahler's self-contemplation. In the first piece, known as the "drinking song," a man laments that "Dark is life, dark is death" and copes...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: Bartok & Mahler | 11/13/1998 | See Source »

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