Word: bucharest
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Dates: during 1950-1959
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...taking it subcutaneously. Hewlett's wife Nowell Mary, 53, has been injecting him with Substance H3, a "youth serum" containing novocain and unspecified acids, developed by the dean's good friend, Dr. Anna ("Age is an illness; age is curable") Asian, at her rejuvenation clinic in Bucharest. He is now running on a three-month supply of the stuff that he brought from Rumania...
...exodus began last September. On the holiest of Jewish holy days, Yom Kippur, word spread through Bucharest synagogues that after six long years their prayers had been answered. The Communist Rumanian government was registering Jews for permits to leave for Israel...
...revolution. (Nuri as-Said's jails proved a fine recruiting and indoctrinating center.) Key figure in this organization is a shadowy, fiftyish figure known chiefly by the front name Abdul Aziz Sherif. Fleeing Iraq when the old regime tried to arrest him in 1950, he visited Moscow, Bucharest and then Sofia, where the top Middle East Communist, Turkey's Nazim Heikmet, operates. Sherif returned to Iraq last July. Since the Communist Party is nominally illegal in Iraq, Sherif heads a three-man politburo which calls itself the "Iraqi High Committee." The overall Communist boss inside the Arab world...
S.R.O. performances packed the concert halls in Britain and France, but the real fun began behind the Iron Curtain. At Bucharest's 1,000-seat Atheneum Hall, where temperatures hit 100°, the box office turned away 10,000 ticket seekers. Budapest-born Eugene Ormandy and his 104 players were cheered inside the packed hall for more than 15 minutes ("Never in my life have I heard such strings," glowed a Rumanian conductor), escaped outside only after police charged the cheering mobs in the streets. In Kiev, the reception was even bigger. Decked with Ukrainian flowers, the orchestra swept...
Hopeful of opening direct channels of communication with art movements in the satellite countries, the Whitney Museum had sent some 300 copies of the book overseas addressed to museums and individual artists. From Warsaw and Cracow, Budapest and Szeged, Prague, Zatec and Bucharest came a stream of letters, catalogues, books and even original drawings and engravings from artists who wished to reciprocate the Whitney's gesture. The letters were scrupulously nonpolitical. Nearly all had two points in common: 1) unstinting praise for the book, and 2) surprise that American painting was so good. One Rumanian intellectual, unreported for years...