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...whitest woman in the world. She makes all the rest of us look like the Third World." Where, Bette asks sweetly, with only the faintest hint of bitchery, does Her Majesty get her hats? Pretending to sew, she conjures up a whole line of milliners in the basement of Buckingham Palace, threading needles for their monarch at that very moment. Then, she notes, there is that noble equestrienne, Princess Anne. How would Anne answer if someone asked how old she was? Bette wonders. Without a word, she provides the answer: very slowly, like a trained horse at the circus...

Author: /time Magazine | Title: Show Business: Midler: Make Me a Legend! | 12/31/1979 | See Source »

...intelligence services had kept the official government in the dark. If so it presumably was not a problem only for Tories; certainly top security officers in the Labor governments of Harold Wilson knew about Blunt. Another question was whether the Queen herself had ever been informed-and why Buckingham Palace had not been warned much earlier than 1964, since Blunt had been under suspicion as early as 1951, five years before he was knighted...

Author: /time Magazine | Title: BRITAIN: Tinker, Tailor, Curator, Spy | 11/26/1979 | See Source »

...somewhat new wave with its synthesizer solos--but nearly all the cuts seem forced to fit into Fleetwood Mac's formulaic style. Tusk is from the same mold as Fleetwood Mac and Rumours, the other albums recorded by the present members of the group (John McVie, Christine McVie, Lindsey Buckingham, Mick Fleetwood and Stevie Nicks). One wonders why it took three years to produce, even if it is a double...

Author: By Michael E. Silver, | Title: Driftwood of the '70s | 11/9/1979 | See Source »

...Buckingham is, without doubt, the group's central figure and the moving force behind its latest effort. He wrote many of the songs on Tusk and is the lead singer in most of them. Buckingham's melodies best fit the Fleetwood Mac mold, with painfully banal lyrics such as: "You can love your brother but you can't walk out/someone ought to tell you what it's really all about." "That's all for everyone/that's all for me/I just need someone to satisfy...

Author: By Michael E. Silver, | Title: Driftwood of the '70s | 11/9/1979 | See Source »

Bass Player John McVie and Drummer Mick Fleetwood provide sonic propulsion as Buckingham's melodies range widely and easily between old English folk and avant-garde pop. The sound sometimes flirts with the sort of revisions of Eng lish folk idiom that Fairport Convention used to bring off with such foursquare inspiration, and sometimes, as in the title cut, skirts the sonic experiments conducted by Lennon and McCartney on songs like Revolution...

Author: /time Magazine | Title: Music: The Monster Season | 10/29/1979 | See Source »

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