Word: budgetand
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Dates: during 1998-1998
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...somehow Touch of Evil offers even more after those historic first three min- utes. Welles capitalizes on the B-movie budgetand fuses his technical limitations with thestory, creating a cohesive alienation. Combiningthe distortion of an 18.5 mm lens, the dizzyingdiscomfort of handheld cameras, the high contrastimages of low lighting, and the frighteninglyenormous figures produced by low angle shots, thefilm replaces surface normality with theunsettling...
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