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...Even though there's no money to be made in hip-hop, it attracts top talent. In Havana's lush Miramar neighborhood, Equis Alfonso, a.k.a. X Alfonso, 28, is talking about his upcoming hip-hop/son fusion album titled X-More. He also has some sharp words about the Buena Vista Social Club, the geezer vocal group that popularized prerevolution balladry everywhere but Cuba. "People think because of Ry Cooder and Buena Vista that Cuban music became better known," says Alfonso, who is also a member of the hot fusion group Sintesis. "That may be true...

Author: /time Magazine | Title: Havana: Hidden Havana | 9/15/2001 | See Source »

HYPE Surefire hit, headed north of $250 million in the U.S. BOX OFFICE SO FAR $190 mil. SPIN "We're right in line with corporate goals. We may surpass $450 mil based on how it performs internationally." --Buena Vista's Chuck Viane...

Author: /time Magazine | Title: Hollywood's Hit Factory | 7/30/2001 | See Source »

...Mickey Mouse fans. Tokyo Disneyland is the world's most popular theme park, and a sister site called Disney Sea is scheduled to open nearby in September. "Pearl Harbor is obviously a subject that must be approached with cultural sensitivity," says Dick Sano, who heads the Tokyo office of Buena Vista International, the Disney unit distributing the film outside...

Author: /time Magazine | Title: Make Love Not War | 7/11/2001 | See Source »

...billion global box office. But in Pearl Harbor, the villain isn't an iceberg--it's Japan. So Disney's marketing has had to be creative. "It's obviously a subject that must be approached with cultural sensitivity," says Dick Sano, Japanese head of the Tokyo office of Buena Vista International, the Disney unit distributing the film abroad. Trailers and ads focus solely on the love story; more controversial, Disney reshot or edited some scenes for the Japanese market...

Author: /time Magazine | Title: A Kinder, Softer Movie | 7/2/2001 | See Source »

Calle 54, however, does not only survive as one of Puente's last moments, nor does it suffer from the stigma of being released in the shadow of Wim Wenders' wildly popular Buena Vista Social Club . Wenders' simple and similar premise of filming an American guitarist's effort to congregate the aging legends of Afro-Cuban music spawned a CD and an international concert, and Calle 54's American release seems to coincide with waning interest in BVSC. Miramax needn't have bothered, because the two are markedly different in intention, tone, texture and substance. The two films, while achieving...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Walking and Strolling Down "Calle 54" | 5/4/2001 | See Source »

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