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...Teeth does not remain silly for long. "Hello Birmingham" is a dialogue between Buffalo and Birmingham, two cities recently targeted by pro-life terrorists. DiFranco's social commentary waxes over vital and relevant points, though she often finds herself grappling with similar issues again and again: violence against women, homophobia, the right to choose, drug abuse and workers' rights. Her criticism is always painfully accurate, but rarely preachy or repetitive. Despite some of the musical near-misses she has encountered while pumping out a surging stream of albums, DiFranco remains innovative and consistent on To the Teeth. She proves that...

Author: By Diane W. Lewis, CRIMSON STAFF WRITER | Title: Ani-thing you want, you got it | 11/19/1999 | See Source »

...Unfortunately I don't have much time to check on it, but I have friends like the Boredoms and Buffalo Daughter, so when I see them I always ask "what's going on in Japan?" and they give me some DJ songs, and I say "wow." It's interesting, Japan is pretty ahead. I'm not talking about mainstream music, I'm talking about the underground, that's the bomb there, it's awesome...

Author: By Adam J. Ross, CRIMSON STAFF WRITER | Title: Viva! Cibo Matto | 11/12/1999 | See Source »

...ridiculed me, calling me a bum." About three minutes and 57 seconds later the concert was finished, as Willis rejected the clamor for an encore. "Get the f--- out of here," he said. "My vocals are getting worse. I got to save my vocals for the next show in Buffalo, New York. Rock and roll will never...

Author: By Benjamin D. Mathis-lilley, | Title: Fifteen Minutes: Sucking a Caribou's Ass?: An Evening With the World's Weirdest Rock Star | 11/4/1999 | See Source »

...contrast, when Willis left the Middle East, he went to spend the night at a hotel before driving off to Buffalo to another room full of crazy fans ready to buy his CDs and scream for Batman and pump their fists in the air and laugh like little kids when he head butts them...

Author: By Benjamin D. Mathis-lilley, | Title: Fifteen Minutes: Sucking a Caribou's Ass?: An Evening With the World's Weirdest Rock Star | 11/4/1999 | See Source »

...emotional territory of Simpatico, the most recent work by Pulitzer Prize-winning playwright Sam Shepard, is something familiar to Kellerman. His production last year of David Mamet's American Buffalo in the Loeb Ex explored the same realm of underworld deceit and betrayal, the same search for loyalty and friendship that marks this play. That is not to say Simpatico is a large scale retreading of the same dramatic ground Kellerman mapped so clearly last year. Sam Shepard is not David Mamet. He isn't able to maintain the same level of unshaking intensity that Mamet can create...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

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