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...shortage of 1999? As we roared into the biggest New Year's Eve celebration ever, fear spread about the stockpile of French (most Americans liked France then) bubbly. The world wondered whether it would be left high and dry at the dawn of the millennium. And dark. The Y2K bug was supposed to fry the embedded chips in electronic devices ranging from toasters to mainframes. Defending its honor, Paris threw a spectacular millennium party on Dec. 31, 1999, bubbles and all, and the day of Y2K came and went with nary a ripple of disaster...

Author: /time Magazine | Title: Memories from Right Now | 3/24/2003 | See Source »

Peering at the sharp, crystal-clear images of an episode of Insecticide on a massive, 60-in. plasma high-definition TV (HDTV), John Hendricks looks for all the world like a kid with a bug under a microscope. Except in this case, the kid is 50 years old, and the "microscope" is his fast-growing, unlikely cable empire, Discovery Communications...

Author: /time Magazine | Title: TV's Unlikely Empire | 3/3/2003 | See Source »

Needless to say, her parents weren’t pleased. Brown jokes that they once told her that she could be a successful lawyer or doctor and talk about the banjo at dinner parties. Despite any reservations they had, though, their daughter had the musician’s bug...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: Quit Your Day Job | 2/27/2003 | See Source »

...What's particularly clever about "Eros" is the way Herpich uses the forms contained in a panel to mimic those of its predecessor. A fallen ice-cream cone transposes into an eye and a nose; the fluttering wings of a bug cut to a matching close-up of the ears of the jackass. These visual puns are the equivalent of clever poetic wordplay, but unique to comix. Herpich, who's pen and ink drawings are otherwise fairly simple, has a gift for the infinitely variable patterns of comix. Through repetition and pauses, panels that repeat something from before or else...

Author: /time Magazine | Title: On the "Cusp" | 2/14/2003 | See Source »

...blouses ushered in a casual new uniform for skinny models, stylists, socialites and starlets. Paired with low-slung jeans and crocheted hip belts, the bohemian look seemed to symbolize liberation from the tyranny of all Gucci or Prada all the time. Soon designers like Tom Ford caught the bohemian bug, and a striking facsimile of the Calypso peasant blouse turned up on Vogue's September 2001 cover with a label that read Yves Saint Laurent...

Author: /time Magazine | Title: The Lure Of The Little Label | 2/5/2003 | See Source »

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