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...contemporaries, including Sherrie Levine and Alan McCollum, who address problems of mechanical reproduction and authorship. The ICA show includes several black, rubber and Beracryl castings of mundane objects like a candle or a doggy dish. Although these hand-made "readymades" may be overly indebted to Jasper John's light bulb or flashlight castings of the early 1960s, other pieces in the exhibition toy more originally with the idea of banal objects posing as high...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Swiss Artists Fischli and Weiss Juggle Sarcasm, Sincerity at the ICA | 11/7/1997 | See Source »

Giant pharmaceutical firms have long prospected the rain forests, screening randomly selected plants for potential products. But under Conte's direction, Shaman became one of the first companies to rely on the ancestral wisdom of native cultures. "It was a light bulb," Conte says. "Why not leverage out this knowledge of how plants have been used for thousands of years to get something that's more likely to be effective and safe...

Author: /time Magazine | Title: MONEY THAT GROWS ON TREES | 10/1/1997 | See Source »

...addition to the lighting upgrade, the College has contracted with a company to develop a prototype of a lamp using an incandescent bulb to replace the halogen lamps. The student who conducted the survey on lighting designed this prototype...

Author: By Barbara E. Martinez, CRIMSON STAFF WRITER | Title: FDO Prohibits Use of Halogens in First-Year Dormitories | 9/12/1997 | See Source »

...practice assault planned for the base's bayonet-combat course might have to be called off: the mercury was creeping into the 90s. McQueen's team of drill sergeants--those fabled hard-noses delegated to whip raw recruits into shape--went into action. They dutifully set up a "wet-bulb globe-temperature-index calculator" and tested the air. Sure enough, it was too hot to attack...

Author: /time Magazine | Title: BOOT CAMP GOES SOFT | 8/4/1997 | See Source »

After a semester of college and four months of film school, Smith found himself back home working for $5 an hour at Quick Stop, a convenience store. Light bulb! Why not a movie based on the life of a convenience-store clerk? He wrote Clerks in a month and shot it at the store after hours, in black and white. (Cost: $27,575.) The movie won awards at Sundance and Cannes. "A totally welcome blast of stale air," raved a critic. "Grunge Godot." Smith was 24 and already anointed by Hollywood, but his next movie, the $6 million Mallrats, flopped...

Author: /time Magazine | Title: MY GENERATION BELIEVES WE CAN DO ALMOST ANYTHING. | 6/9/1997 | See Source »

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