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...faculty approved the committee at a meeting last Tuesday on the recommendation of John M. Bullitt '43, professor of English and chairman of the department's Committee on Undergraduate Studies. That committee has met throughout the year with seniors in English representing each Harvard and Radcliffe House...

Author: By Jeff Magalif, | Title: Far-Reaching Changes Could Come From Study Of English Department | 3/3/1970 | See Source »

Professional virginity has had its Day; in cinema, the current trend is toward making it. This year's version of Pillow Talk is John and Mary, a Now movie that dares to open with its leading players (Dustin Hoffman and Mia Farrow) together in bed. Director Peter Yates (Bullitt) riffles through flash cards of identity, exhibiting the fun couple nude and clothed, before, after and during the New York-based affair. Mary, it turns out, has been grooving with a married politician. John seems the sort of clumping, turtle-nosed customer who could not seduce a girl...

Author: /time Magazine | Title: Cinema: New Pillow Talk | 12/19/1969 | See Source »

...Thomas Woodrow Wilson-A Psychological Study, by Sigmund Freud and William Bullitt, it is written: "When a man gives various unconvincing explanations of an act, one must suspect that the real reason for the act lies in the unconscious." Could this not also apply to Senator Kennedy's superego...

Author: /time Magazine | Title: Letters: Aug. 8, 1969 | 8/8/1969 | See Source »

...Wiseman and Patrick O'Neal. It is a rococo and frequently incoherent gangster yarn extracted like a rotten tooth from an old Harold Robbins novel. Stiletto seems to have been written only to take a share of the profits made by such stylish thrillers as Point Blank and Bullitt. And it quickly becomes obvious that Director Bernard Kowalski (who also made Krakatoa, East of Java) is not up to that sort of competition. Judged on sheer acting talent, however, Wiseman and O'Neal are equal to almost anything...

Author: /time Magazine | Title: Cinema: Rotten Tooth | 8/1/1969 | See Source »

...with Dizzy's band in Birdland days. Today Schifrin is widely accepted in Hollywood as the most inventive composer of movie scores in the business. Since quitting the Gillespie quintet in 1963 to try his luck with films, he has scored 21 features (Cool Hand Luke, Bullitt), three TV serials (including Mission: Impossible, with its pulsating, wide-open jazz theme) and half a dozen TV specials. Almost all the scores are good, and almost all are different in style and sound...

Author: /time Magazine | Title: Composers: Cool Hand in Hollywood | 7/25/1969 | See Source »

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