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...BULLITT. A violent journey into the underworld, where the crook is a savage and the cop a man alone. Steve McQueen provides a supercool performance as a San Francisco police lieutenant...

Author: /time Magazine | Title: Television: Nov. 22, 1968 | 11/22/1968 | See Source »

...BULLITT. A violent journey into the criminal underworld, where the crook is a savage and the cop a man alone. Steve McQueen, as a San Francisco police lieutenant, provides a supercool performance that is his best to date...

Author: /time Magazine | Title: Television: Nov. 15, 1968 | 11/15/1968 | See Source »

This highly polished piece of cop art emphatically watches a lone lieutenant playing it straight in a crooked world. Frank Bullitt (Steve McQueen), of the San Francisco police force, is assigned to keep a state's witness alive and soon finds himself wallowing in other people's blood. A colleague is shotgunned down, a witness ice-picked, a blonde garroted. These are only his minor problems. A self-aggrandizing official (Robert Vaughn) wants Bullitt "castrated" because he fails to obey orders the way his cowardly superiors do. Bullitt's girl (Jacqueline Bisset) says that...

Author: /time Magazine | Title: New Movies: Cop Art | 11/8/1968 | See Source »

Reminiscent in style of the good old Warner Bros, crime films of the '40s, Bullitt is given a distinct touch of Now by Director Peter Yates. The movie is full of gritty city details and has a streaking pace that would leave Jim Ryun winded. As the beleaguered cop, McQueen is surprisingly subtle, mixing his customary hip swagger with an urban high-strung sensibility; like Oscar in The Odd Couple, he is so tense he has clenched hair...

Author: /time Magazine | Title: New Movies: Cop Art | 11/8/1968 | See Source »

...McQueen film would be complete without a chase scene; Bullitt provides two. The first is a thumping, screeching sports-car slalom over the Frisco hills. The second, on foot, dodges between whining jets at the airport and ends with McQueen pulling a gun-strangely enough, considering the violence, for the first time in the picture-to cut down his quarry and win his little war. In the end, Vaughn skulks off in a car with the ironic bumper sticker: SUPPORT YOUR LOCAL POLICE. If they were all like Bullitt, everyone could and would...

Author: /time Magazine | Title: New Movies: Cop Art | 11/8/1968 | See Source »

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