Word: bulova
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Dates: during 1970-1979
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...front of the glassy-floored store, the walls are loaded from top to bottom with tinted makeups, going by such names as Midnight Blush, Ginger Interlude, and seduction Night Sienna. The Timex and Bulova displays are cruelly juxtaposed on another counter, just across, to remind you that you are old, or will be soon, and will be in want of makeup. Back at the makeup counter, you shrink under the sullen gaze of the desperately nubile females trapped in their placards. There are piles of solemn light green pamphlets like the AWAKE pamphlets the Jehovah Witnesses push on passersbys...
...guess which of these sequences were rearranges to make sense? Can you imagine how chaotic things get when they're seen out of sequence? If nothing had a logical sequence to it, how could they test I.Q.? The Timex and Bulova companies would be out of business...
...extent, watchmaking has remained a cottage industry, with production divided among more than 1,000 firms scattered throughout the foothills of the French-speaking Jura region. Unemployment among the workers has inevitably affected Switzerland's normally strike-free labor relations. In January, 189 workers at a U.S.-owned Bulova plant in Neuchátel went on strike to oppose plans for consolidating production in Bienne, 20 miles down the road...
Died. Milton Harry Biow, 83, advertising man and popularizer of such classic catch phrases as "Call for Philip Morris" and "Bulova Watch Time" and creator of radio's celebrated The $64 Question; in Manhattan...
There is one good bit in the film. Jesus and John the Baptist -- who later becomes Judas -- do a vaudeville dance number, complete with top hats and canes, in front of the famous Bulova sign in Times Square. The computerized sign creates a precisely synchronized expansion of the two dancers going through their paces. The sign is amazing -- I once spent ten minutes hypnotized by it in Times Square. Unfortunately this bit lasts for only thirty seconds and the film drags on for about ninety minutes. The rest of the choreography, unaided by mechanical intervention, has all the vitality...