Word: bumpings
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Dates: during 1960-1969
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...still snow-blotched peak above and Lake Tahoe below. Just getting there is half the fun. On the valley floor, couples are guided into four-seater gondolas by an attendant. After skimming through a notch in a granite cliff and floating over forests of white pine and ponderosa, they bump to a stop amidst the sound of music echoing about the uppermost peaks...
...wise advice and stuff to her three sons and a daughter, plus her dead husband's bastard boy for extra spice. Robert Horton, late of Wagon Train, has now forgotten his name and goes searching around the West for it as A Man Called Shenandoah (ABC). He may bump into Lloyd Bridges, who has come out of the sea and is also wandering the West trying to get happy in Rod Serling's The Loner...
Glazed Reverie. The Freddie is the latest of scores of new dances that have spun off the twist. The pelvis is crucial. If it swings from side to side, that's the twist, and the twist is now as dead as the big apple. If it bumps and wiggles, that's the frug (pronounced froog). The rest are all charades. The dog, for example, is a slow-motion jerk (known in less erudite circles as the bump and grind), which is a slow-motion frug. Add a backstroke arm motion to the frug and you have the swim...
This piece of juvenilia was directed by Michael Cacoyannis, who has done better (in The Trojan Women, Zorba the Greek) and knows better. The play's plot and characters are assembled from the Kopit-Albee playmaking kit. Bump's grandfather is the peppery and frustrated duplicate of the grandmother in Edward Albee's The Sandbox. The silent father is a variation on Albee's laconic, spiritless father in The American Dream. Mother is the voracious woman of Arthur Kopit's Oh Dad, Poor Dad, in fright wigs a la Tiny Alice. Lakme wears the little...
...Race of Hairy Men! by Evan Hunter. If homosexuality fouls the air in And Things That Go Bump in the Night, heterosexuality scarcely sweetens it in A Race of Hairy Men! Bump is fashionable and sick; Hairy Men is outmoded and slick. Both plays are bad, and they typify extremes of shallowness that leave the Broadway scene increasingly barren of authentic drama, honest emotion, and a conviction of reality. Broadway is stalemated between plays that cry in their beer and plays that munch cream puffs, between those that try to shock and those that aim to tease, between psychological freak...